Hints for Lovers — A Reader’s Guide

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Haultain, Arnold, 1857-1941 Project Gutenberg 2004 Not confirmed
Love Readers of public-domain and historical texts
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Edition facts

Words 37,302
Reading time 163 min
Text sections 5

Before opening Hints for Lovers — A Reader’s Guide, the edition data offers a quick orientation: 37,302 words, 2 hr 43 min estimated reading time, and 5 detected text sections.

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An aphoristic guide to romantic relations, this 1909 work by Arnold Haultain dissects love, courtship, and marriage through concise, often paradoxical observations on men, women, and the heart.
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Editorial Edition Score 4.6/5

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  • Text length15 pts
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Read the Text

Never was there a woman who could and would deliberately wholly enlighten a man.

And, yet, marvelous and curious amongst things curious and marvelous, will but a woman fling artifice to the winds, and look and act and say as great Nature prompts,--wildly, willfully, wantonly,--that woman will captivate as no feminine wiles will ever captivate.

If the man were worth it, many a woman would dispense with the marriage ceremony. For

Ah! Love--love--love,--given love, what else is needed? (Unfortunately

Love can never be sure of itself--much less of anything else. Accordingly

The marriage contract is a device on the part of the community to provide for the preservation of the home: it makes the parties promise fidelity.) But

Precious few are the men who are worth the risking. Unfortunately,

More women succumb to strength of will than to strength of character.

Neither, in general, are women overcurious to enquire whether the strength of character.

Neither, in general, are women over curious to enquire whether the strength of the masculine will makes for good or for evil.

So long as the masculine will overmaster the feminine, the feminine mind is satisfied. Of course there are exceptions, but as a rule,

Women--whether young or old, married or single, strong-minded or weak-- are never happier than when they can depend on a man. Accordingly,

The lover or the husband who is weaker than, and depends upon, the woman, will some day rue his weakness and dependence. And yet,

To see a strong male at her feet--that is exquisite to the woman. So exquisite that

It is with difficulty that a woman refrains from exhibiting a man's servitude to others. On the other hand,

There is an element of intimidation in a resplendent woman. And of this she is aware.--Hence perhaps her power.

A woman will attain her ends by adroit finesse, where a man would blunder into open hostility. And

It is well that man should blind his eyes to feminine wiles, since,

Always a woman kindly pretends oblivion of masculine blunders.

The woman whose tastes and refinements are above her station, is in pitiable plight: she is too fastidious to espouse the men who would marry her; the men she would marry she rarely meets. For, The only thing that, to love, is insupportable is vulgarity. Since

Love, romantic love, the efflorescence and bloom of life, is besmirched unless tenderly touched.

To generalize passes the wit of woman; but in penetration she is preternatural.

What fascinates a woman is the man who unwittingly attracts her against her will. But such a man rouses a combination of emotions comprehensible only by women.

A woman's answer to an insuperable argument is: a look. And a most cogent answer it is. Indeed,

Speech is a woman's least effective weapon; rarely if ever does she resort to it:

In the affairs of life, as in the affairs of love, where men be concerned, it is upon her personality that she relies, not upon her speech whether written or uttered.

Her personal appearance is to a woman, what his personal honor is to a man: it must be immaculate; constant with the fashion of the hour; and strictly in accordance with her or his status in society. Accordingly,

Dress and demeanor--these form the code of feminine ethics. Even

Deception on the part of a woman is merely diplomacy;

Women deceive only be cause man is too blind to see. That is to say,

Since man in past ages has never allowed woman either freedom of action or frankness of speech, it is not to be expected of her that she should be all at once an adept in their use.--To her credit be it said that,

Generally a woman deceives only n order to arouse or to retain the admiration of man. For example,

Many a woman has surreptitiously made love to the man--and few are the men who have detected it.

Why this woman fascinates all who come within the sphere of their influence, and that women, does not, no earthly sage will ever know. As well ask what makes one man a Napoleon, another a poltroon. So, too,

It is impossible for a woman to say 'I will be loved,' as it is for a man to say 'I will be obeyed.'--Perhaps

Love and Power are divine miracles.

(At the risk of treading on delicate ground, ground off which I shall be hooted by the modern woman, I venture to say that)

The idea that a woman is the property of the man of her choice, rail as it as the woman may, has not yet been ousted from the feminine mind--and heart. Indeed,

Arnold Haultain's Hints for Lovers opens with a table of contents that reads like a taxonomy of romance: fourteen chapters from "On Girls" to "On This Human Heart." The book's structure is itself a statement—each chapter a collection of aphorisms, separated by asterisks, that build arguments through pithy, sometimes contradictory claims. Haultain frames his method with two epigraphs: Isaac Barrow warns that aphorisms "need exposition, and admit exception," while Leslie Stephen notes their "slight exaggeration." This self-awareness about the form's limitations sets the tone for a work that is as much about the difficulty of generalizing about love as it is about offering advice.

The Aphorism as Argument

Haultain builds his case not through narrative or sustained argument, but through a sequence of aphorisms that often undercut one another. In chapter I, he writes that girls are "pretty much alike" at heart, then immediately notes they "differ wildly" in age. This technique forces the reader to weigh each statement against its neighbor. The author frequently uses asterisks to signal a shift, creating a rhythm of assertion and qualification. For instance, he declares that "all men love all girls" but then adds that a girl is "a complicated thing" made of "clothes, smiles, a pompadour." The effect is a mosaic of observations that resist easy synthesis, mirroring the complexity of its subject.

Diction of the Heart and Head

Haultain's word choices reveal a preoccupation with the tension between emotion and reason. He contrasts "heart" and "head" repeatedly: "man is led by the heart and not by the head" and "men are oftener vanquished by a look than by logic." The vocabulary of combat pervades the text—"alarums and excursions," "tactics," "maneuver," "vizored and in armor." This martial language frames courtship as a strategic encounter. Yet Haultain also uses terms like "agglutinator" and "civilizer" to describe women's role, blending scientific and domestic registers. The result is a distinctive voice that oscillates between the clinical and the romantic.

The Paradox of Women's Power

Throughout the excerpts, Haultain attributes to women a paradoxical form of power: they are "nearer the eternal laws" yet "lawless," they "bind the nomad" yet are "the true agglutinator and civilizer." In chapter IX, he claims that "no units of measurement yet devised are adequate for the computation of the power wielded by a beautiful woman." This power is exercised through appearance and impression—"the impressing of men is the important function of life." Yet Haultain also suggests that women's ultimate aim aligns with Nature's: the child. The interplay between agency and biological determinism runs through these observations, leaving the reader to question how much control either sex truly has.

The Voice of the Commentator

Haultain inserts himself into the text through footnotes and asides that break the aphoristic surface. In chapter IX, a footnote on the word "impressing" remarks that it has a "two-fold signification," acknowledging the double entendre. Another footnote cites Grant Allen to defend the scientific basis of heart-led judgment. These intrusions remind the reader that the aphorisms are not timeless truths but the opinions of a specific author engaging with contemporary ideas. The epigraph from Euripides—"aediston, o pai, tauton a lgeinon th ama" (the sweetest and the bitterest thing)—frames love as inherently contradictory, a theme the author returns to through his layered, self-qualifying prose.

Readers approaching Hints for Lovers should expect not a systematic treatise but a series of provocations. Haultain's aphorisms reward slow reading: each one invites pause and reflection, often complicating the one before. The book's structure—short chapters, frequent asterisks, footnotes—encourages browsing rather than linear consumption. Pay attention to the shifts in tone and the moments where the author seems to contradict himself; these are not flaws but deliberate invitations to think critically about love, gender, and the limits of advice itself.

Some nights I still think about that old guide to lovers, how its neat little rules couldn’t hold the mess of feeling. It reminded me of something quieter, a piece defending books against counterfeit copies. There’s a strange kinship in protecting what’s authentically written, both for love and for pages. Of the Injustice of Counterfeiting Books From: Essays and Treaties on Moral, Political and various Philosophical Subjects — Themes and Context lingered like a hand on my shoulder afterwards.

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