The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II — Reading Companion

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Lodge, Henry Cabot, 1850-1924 [Editor], Halsey, Francis W. (Francis Whiting), 1851-1919 [Editor] Project Gutenberg 2007 Not confirmed
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Words 72,416
Reading time 315 min
Text sections 9

This digital edition of The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II — Reading Companion is described by source-level measurements including 72,416 words, 5 hr 15 min estimated reading time, and 9 detected text sections.

The text analysis averages about 29.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Literature -- Collections,” connecting these edition facts with the source record’s subject description.

This volume collects British and Irish prose from 1672-1800, including Steele, Swift, Johnson, Sterne, and others. Excerpts show a focus on social observation, epistolary wit, and narrative voice, with Sterne's digressive style and Johnson's lexicographical labor prominently featured.
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There were at that time five duchesses, three earls, two heathen gods, an emperor, and a prophet. There were also a great number of such as were locked up from their estates, and others who concealed their titles. A leather-seller of Taunton whispered me in the ear that he was the "Duke of Monmouth," but begged me not to betray him. At a little distance from him sat a tailor's wife, who asked me, as I went, if I had seen the sword-bearer, upon which I presumed to ask her who she was, and was answered, "My lady mayoress."

I was very sensibly touched with compassion toward these miserable people; and, indeed, extremely mortified to see human nature capable of being thus disfigured. However, I reaped this benefit from it, that I was resolved to guard myself against a passion which makes such havoc in the brain, and produces so much disorder in the imagination. For this reason I have endeavored to keep down the secret swellings of resentment, and stifle the very first suggestions of self-esteem; to establish my mind in tranquillity, and over-value nothing in my own or in another's possession.

For the benefit of such whose heads are a little turned, tho not to so great a degree as to qualify them for the place of which I have been now speaking, I shall assign one of the sides of the college which I am erecting, for the cure of this dangerous distemper.

The most remarkable of the persons, whose disturbance arises from pride, and whom I shall use all possible diligence to cure, are such as are hidden in the appearance of quite contrary habits and dispositions. Among such, I shall, in the first place, take care of one who is under the most subtle species of pride that I have observed in my whole experience.

The patient is a person for whom I have a great respect, as being an old courtier, and a friend of mine in my youth. The man has but a bare subsistence, just enough to pay his reckoning with us at the Trumpet; but, by having spent the beginning of his life is the hearing of great men and persons of power, he is always promising to do good offices to introduce every man he converses with into the world; will desire one of ten times his substance to let him see him sometimes, and hints to him that he does not forget him. He answers to matters of no consequence with great circumspection; but, however, maintains a general civility in his words and actions, and an insolent benevolence to all whom he has to do with. This he practises with a grave tone and air; and tho I am his senior by twelve years, and richer by forty pounds per annum, he had yesterday the impudence to commend me to my face, and tell me, "he should be always ready to encourage me." In a word, he is a very insignificant fellow, but exceeding gracious. The best return I can make him for his favors is to carry him myself to Bedlam and see him well taken care of.

The next person I shall provide for is of a quite contrary character, that has in him all the stiffness and insolence of quality, without a grain of sense or good-nature, to make it either respected or beloved. His pride has infected every muscle of his face; and yet, after all his endeavors to show mankind that he contemns them, he is only neglected by all that see him, as not of consequence enough to be hated.

For the cure of this particular sort of madness, it will be necessary to break through all forms with him, and familiarize his carriage by the use of a good cudgel. It may likewise be of great benefit to make him jump over a stick half a dozen times every morning.

A third, whom I have in my eye, is a young fellow, whose lunacy is such that he boasts of nothing but what he ought to be ashamed of. He is vain of being rotten, and talks publicly of having committed crimes which he ought to be hanged for by the laws of his country.

There are several others whose brains are hurt with pride, and whom I may hereafter attempt to recover; but shall conclude my present list with an old woman, who is just dropping into her grave, that talks of nothing but her birth. Tho she has not a tooth in her head, she expects to be valued for the blood in her veins, which she fancies is much better than that which glows in the cheeks of Belinda, and sets half the town on fire.

HOW TO BE HAPPY THO MARRIED[5]

My brother Tranquillus being gone out of town for some days, my sister Jenny sent me word she would come and dine with me, and therefore desired me to have no other company, I took care accordingly, and was not a little pleased to see her enter the room with a decent and matron-like behavior, which I thought very much became her. I saw she had a great deal to say to me, and easily discovered in her eyes, and the air of her countenance, that she had abundance of satisfaction in her heart, which she longed to communicate. However, I was resolved to let her break into her discourse her own way, and reduced her to a thousand little devices and intimations to bring me to the mention of her husband. But finding I was resolved not to name him, she began of her own accord. "My husband," said she, "gives his humble service to you," to which I only answered, "I hope he is well"; and, without waiting for a reply, fell into other subjects.

She at last was out of all patience, and said, with a smile and manner that I thought had more beauty and spirit than I had ever observed before in her, "I did not think, brother, you had been so ill-natured. You have seen, ever since I came in, that I had a mind to talk of my husband, and you will not be so kind as to give me an occasion."

"I did not know," said I, "but it might be a disagreeable subject to you. You do not take me for so old-fashioned a fellow as to think of entertaining a young lady with the discourse of her husband. I know nothing is more acceptable than to speak of one who is to be so, but to speak of one who is so! indeed, Jenny, I am a better-bred man than you think me."

She showed a little dislike at my raillery; and, by her bridling up, I perceived she expected to be treated hereafter not as Jenny Distaff, but Mrs. Tranquillus. I was very well pleased with this change in her humor; and, upon talking with her on several subjects, I could not but fancy I saw a great deal of her husband's way and manner in her remarks, her phrases, the tone of her voice, and the very air of her countenance. This gave me an unspeakable satisfaction, not only because I had found her a husband, from whom she could learn many things that were laudable, but also because I looked upon her imitation of him as an infallible sign that she entirely loved him. This is an observation that I never knew fail, tho I do not remember that any other has made it. The natural shyness of her sex hindered her from telling me the greatness of her own passion; but I easily collected it from the representation she gave me of his.

"I have everything," says she, "in Tranquillus, that I can wish for; and enjoy in him, what, indeed, you have told me were to be met with in a good husband, the fondness of a lover, the tenderness of a parent, and the intimacy of a friend."

It transported me to see her eyes swimming in tears of affection when she spoke. "And is there not, dear sister," said I, "more pleasure in the possession of such a man than in all the little impertinencies of balls, assemblies, and equipage, which it cost me so much pains to make you contemn?"

She answered, smiling, "Tranquillus has made me a sincere convert in a few weeks, tho I am afraid you could not have done it in your whole life. To tell you truly, I have only one fear hanging upon me, which is apt to give me trouble in the midst of all my satisfactions: I am afraid, you must know, that I shall not always make the same amiable appearance in his eye that I do at present. You know, brother Bickerstaff, that you have the reputation of a conjurer; and, if you have any one secret in your art to make your sister always beautiful, I should be happier than if I were mistress of all the worlds you have shown me in a starry night."

"Jenny," said I, "without having recourse to magic, I shall give you one plain rule that will not fail of making you always amiable to a man who has so great a passion for you, and is of so equal and reasonable a temper as Tranquillus. Endeavor to please, and you must please; be always in the same disposition, as you are when you ask for this secret, and you may take my word, you will never want it. An inviolable fidelity, good humor, and complacency of temper outlive all the charms of a fine face, and make the decays of it invisible."

We discoursed very long upon this head, which was equally agreeable to us both; for, I must confess, as I tenderly love her, I take as much pleasure in giving her instructions for her welfare, as she herself does in receiving them. I proceeded, therefore, to inculcate these sentiments by relating a very particular passage that happened within my own knowledge.

There were several of us making merry at a friend's house in a country village, when the sexton of the parish church entered the room in a sort of surprize, and told us, "that as he was digging a grave in the chancel, a little blow of his pickax opened a decayed coffin, in which there were several written papers." Our curiosity was immediately raised, so that we went to the place where the sexton had been at work, and found a great concourse of people about the grave. Among the rest there was an old woman, who told us the person buried there was a lady whose name I do not think fit to mention, tho there is nothing in the story but what tends very much to her honor. This lady lived several years an exemplary pattern of conjugal love, and, dying soon after her husband, who every way answered her character in virtue and affection, made it her death-bed request, "that all the letters which she had received from him, both before and after her marriage, should be buried in the coffin with her." These, I found upon examination, were the papers before us. Several of them had suffered so much by time that I could only pick out a few words; as my soul! lilies! roses! dearest angel! and the like. One of them, which was legible throughout, ran thus:

If you would know the greatness of my love, consider that of your own beauty. That blooming countenance, that snowy bosom, that graceful person, return every moment to my imagination; the brightness of your eyes hath hindered me from closing mine since I last saw you. You may still add to your beauties by a smile. A frown will make me the most wretched of men, as I am the most passionate of lovers.

It filled the whole company with a deep melancholy, to compare the description of the letter with the person that occasioned it, who was now reduced to a few crumbling bones, and a little moldering heap of earth. With much ado I deciphered another letter which began with, "My dear, dear wife." This gave me a curiosity to see how the style of one written in marriage differed from one written in courtship. To my surprize, I found the fondness rather augmented than lessened, tho the panegyric turned upon a different accomplishment. The words were as follows:

Before this short absence from you, I did not know that I loved you so much as I really do; tho, at the same time, I thought I loved you as much as possible. I am under great apprehension lest you should have any uneasiness whilst I am defrauded of my share in it, and can not think of tasting any pleasures that you do not partake with me. Pray, my dear, be careful of your health, if for no other reason but because you know I could not outlive you. It is natural in absence to make professions of an inviolable constancy; but toward so much merit it is scarce a virtue, especially when it is but a bare return to that of which you have given me such continued proofs ever since our first acquaintance. I am, etc.

It happened that the daughter of these two excellent persons was by when I was reading this letter. At the sight of the coffin, in which was the body of her mother, near that of her father, she melted into a flood of tears. As I had heard a great character of her virtue, and observed in her this instance of filial piety, I could not resist my natural inclination, of giving advice to young people, and therefore addrest myself to her. "Young lady," said I, "you see how short is the possession of that beauty, in which nature has been so liberal to you. You find the melancholy sight before you is a contradiction to the first letter that you heard on that subject; whereas, you may observe the second letter, which celebrates your mother's constancy, is itself, being found in this place, an argument of it. But, madam, I ought to caution you not to think the bodies that lie before you your father and your mother. Know their constancy is rewarded by a nobler union than by this mingling of their ashes, in a state where there is no danger or possibility of a second separation."

[Footnote 1: From the Guardian.]

[Footnote 2: From the Spectator.]

[Footnote 3: From the Spectator.]

[Footnote 4: From the Tatler.]

[Footnote 5: From the Tatler.]

Born in 1678, died in 1751; his name, before he was a peer, Henry St. John; entered Parliament in 1701, acting with the Tories; Secretary of War in 1704-08; Secretary of State in 1710-14; created Viscount Bolingbroke in 1714; opposed the accession of the House of Hanover, and on the death of Queen Anne in 1714, fled to France, entering the service of the Pretender, by whom he was soon dismissed and then returned to England; a friend of Pope and Swift, Pope's "Essay on Man" being addrest to him.

OF THE SHORTNESS OF HUMAN LIFE

I think very differently from most men of the time we have to pass, and the business we have to do, in this world. I think we have more of one, and less of the other, than is commonly supposed. Our want of time, and the shortness of human life, are some of the principal commonplace complaints which we prefer against the established order of things; they are the grumblings of the vulgar, and the pathetic lamentations of the philosopher; but they are impertinent and impious in both. The man of business despises the man of pleasure for squandering his time away; the man of pleasure pities or laughs at the man of business for the same thing; and yet both concur superciliously and absurdly to find fault with the Supreme Being for having given them so little time. The philosopher, who misspends it very often as much as the others, joins in the same cry, and authorizes this impiety. Theophrastus thought it extremely hard to die at ninety, and to go out of the world when he had just learned how to live in it. His master Aristotle found fault with nature for treating man in this respect worse than several other animals; both very unphilosophically! and I love Seneca the better for his quarrel with the Stagirite[6] on this head.

We see, in so many instances, a just proportion of things, according to their several relations to one another, that philosophy should lead as to conclude this proportion preserved, even where we can not discern it; instead of leading us to conclude that it is not preserved where we do not discern it, or where we think that we see the contrary. To conclude otherwise is shocking presumption. It is to presume that the system of the universe would have been more wisely contrived, if creatures of our low rank among intellectual natures had been called to the councils of the Most High; or that the Creator ought to mend His work by the advice of the creature. That life which seems to our self-love so short, when we compare it with the ideas we frame of eternity, or even with the duration of some other beings, will appear sufficient, upon a less partial view, to all the ends of the creation, and of a just proportion in the successive course of generations. The term itself is long; we render it short; and the want we complain of flows from our profusion, not from our poverty.

Let us leave the men of pleasure and of business, who are often candid enough to own that they throw away their time, and thereby to confess that they complain of the Supreme Being for no other reason than this, that He has not proportioned His bounty to their extravagance. Let us consider the scholar and philosopher, who, far from owning that he throws any time away, reproves others for doing it; that solemn mortal who abstains from the pleasures, and declines the business of the world, that he may dedicate his whole time to the search of truth and the improvement of knowledge. When such a one complains of the shortness of human life in general, or of his remaining share in particular, might not a man more reasonable, tho less solemn, expostulate thus with him: "Your complaint is indeed consistent with your practise; but you would not possibly renew your complaint if you reviewed your practise. Tho reading makes a scholar, yet every scholar is not a philosopher, nor every philosopher a wise man. It cost you twenty years to devour all the volumes on one side of your library; you came out a great critic in Latin and Greek, in the Oriental tongues, in history and chronology; but you were not satisfied. You confest that these were the _literæ nihil sanantes_, and you wanted more time to acquire other knowledge. You have had this time; you have passed twenty years more on the other side of your library, among philosophers, rabbis, commentators, school-men, and whole legions of modern doctors. You are extremely well versed in all that has been written concerning the nature of God, and of the soul of man, about matter and form, body and spirit, and space and eternal essences, and incorporeal substances, and the rest of those profound speculations. You are a master of the controversies that have arisen about nature and grace, about predestination and freewill, and all the other abstruse questions that have made so much noise in the schools, and done so much hurt in the world. You are going on, as fast as the infirmities you have contracted will permit, in the same course of study; but you begin to foresee that you shall want time, and you make grievous complaints of the shortness of human life. Give me leave now to ask you how many thousand years God must prolong your life in order to reconcile you to His wisdom and goodness?

This volume, the fourth of ten in a series restricted to prose, presents British and Irish writers active between 1672 and 1800. The table of contents lists twenty authors, each represented by short selections—often two to six pieces—drawn from essays, letters, histories, and novels. The excerpts reveal a strong editorial preference for works that blend social commentary with personal voice: Steele’s Spectator papers, Swift’s satirical proposals, and Sterne’s digressive narrative from Tristram Shandy all appear. The editors, Henry Cabot Lodge and Francis W. Halsey, have chosen passages that showcase wit, moral observation, and stylistic innovation rather than plot or narrative continuity.

Social Observation and the Periodical Essay

The selections from Steele, Addison, and Swift demonstrate the periodical essay’s role as a vehicle for social critique. Steele’s “Of Companions and Flatterers” and “How to Be Happy tho Married” from The Tatler offer pointed advice on friendship and matrimony, while his Spectator papers on Sir Roger de Coverley blend character sketch with gentle satire. Swift’s “A Modest Proposal” is included, its coldly logical tone amplifying the horror of its subject. These pieces rely on a persona—the observer, the moralist, the ironist—to engage readers without overt polemic. The editors have favored essays that are self-contained, often opening with a general reflection before narrowing to a specific example.

Epistolary Intimacy and Public Persona

Several selections are letters, revealing how eighteenth-century writers used correspondence to craft a public self. Pope’s letters to Lady Mary Wortley Montagu describe an “ancient English country seat” with playful detail, while Montagu’s own letter on smallpox inoculation from Adrianople combines personal report with medical advocacy. Johnson’s famous letter to Chesterfield, included via Boswell’s Life, is a masterclass in dignified resentment. The editors have extracted these letters not as biographical documents but as literary performances—each shows the writer adjusting tone for a specific reader while maintaining a consistent voice. The excerpts are brief, often cutting off before the letter’s full argument unfolds.

Narrative Voice and Digression in Sterne

The longest excerpt in the volume is from Laurence Sterne’s Tristram Shandy, focusing on Uncle Toby’s courtship of Widow Wadman. The passage displays Sterne’s characteristic digressions, typographical play, and direct address to the reader. The narrator interrupts the action to compare an eye to a cannon, to apostrophize Uncle Toby, and to comment on his own storytelling. The editors have chosen a scene that is nearly self-contained, yet it exemplifies Sterne’s method: the plot advances slowly, if at all, while the narrator’s asides create a comic tension between innocence and desire. This selection stands apart from the volume’s other pieces in its formal experimentation and its willingness to frustrate conventional narrative expectations.

Readers approaching this volume should treat each selection as a sample rather than a summary. The editors have prioritized passages that demonstrate a writer’s characteristic style or argument, often at the expense of context. For fuller understanding, consult the complete works from which these excerpts are drawn. The volume is best used as a survey of prose techniques—from the balanced periods of Johnson to the conversational ease of Steele—rather than as a guide to any single author’s achievement.

Leafing through this old prose collection, I kept returning to Johnson’s patient entries, that immense effort to pin down meaning word by word. It reminded me, rather unexpectedly, of the quiet diligence in Letters and Literary Memorials of Samuel J. Tilden, v. 2 — Background and Themes, where a life’s correspondence builds a similar portrait of sustained, thoughtful labor. Both feel like listening to someone think aloud, unhurriedly.

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