Critical, Historical, and Miscellaneous Essays; Vol. 4 With a Memoir and Index — Inside the Classic
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y the case with the English statesmen of the generation which followed the Restoration. They had neither the enthusiasm of the Cavalier nor the enthusiasm of the Republican. They had been early emancipated from the dominion of old usages and feelings; yet they had not acquired a strong passion for innovation. Accustomed to see old establishments shaking, falling, lying in ruins all around them, accustomed to live under a succession of {10}constitutions of which the average duration was about a twelvemonth, they had no religious reverence for prescription, nothing of that frame of mind which naturally springs from the habitual contemplation of immemorial antiquity and immovable stability. Accustomed, on the other hand, to see change after change welcomed with eager hope and ending in disappointment, to see shame and confusion of face follow the extravagant hopes and predictions of rash and fanatical innovators, they had learned to look on professions of public spirit, and on schemes of reform, with distrust and contempt. They sometimes talked the language of devoted subjects, sometimes that of ardent lovers of their country. But their secret creed seems to have been, that loyalty was one great delusion, and patriotism another. If they really entertained any predilection for the monarchical or for the popular part of the constitution, for episcopacy or for presbyterianism, that predilection was feeble and languid, and instead of overcoming, as in the times of their fathers, the dread of exile, confiscation, and death, was rarely of power to resist the slightest impulse of selfish ambition or of selfish fear. Such was the texture of the presbyterianism of Lauderdale, and of the speculative republicanism of Halifax. The sense of political honour seemed to be extinct. With the great mass of mankind, the test of integrity in a public man is consistency. This test, though very defective, is perhaps the best that any, except very acute or very near observers, are capable of applying; and does undoubtedly enable the people to form an estimate of the characters of the great, which, on the whole, approximates to correctness. But during the Latter part of the seventeenth century, inconsistency {11}had necessarily ceased to be a disgrace; and a man was no more taunted with it, than he is taunted with being black at Timbuctoo. Nobody was ashamed of avowing what was common between him and the whole nation. In the short space of about seven years, the supreme power had been held by the Long Parliament, by a Council of Officers, by Barebones’ Parliament, by a Council of Officers again, by a Protector according to the Instrument of Government, by a Protector according to the Humble Petition and Advice, by the Long Parliament again, by a third Council of Officers, by the Long Parliament a third time, by the Convention, and by the King. In such times, consistency is so inconvenient to a man who affects it, and to all who are connected with him, that it ceases to be regarded as a virtue, and is considered as impracticable obstinacy and idle scrupulosity. Indeed, in such times, a good citizen may be bound in duty to serve a succession of Governments. Blake did so in one profession and Hale in another; and the conduct of both has been approved by posterity. But it is clear that when inconsistency with respect to the most important public questions has ceased to be a reproach, inconsistency with respect to questions of minor importance is not likely to be regarded as dishonourable. In a country in which many very honest people had, within the space of a few months, supported the government of the Protector, that of the Rump, and that of the King, a man was not likely to be ashamed of abandoning his party for a place, or of voting for a bill which he had opposed.
The public men of the times which followed the Restoration were by no means deficient in courage or ability; and some kinds of talent appear to have been developed {12}amongst them to a remarkable, we might almost say, to a morbid and unnatural degree. Neither Theramenes in ancient, nor Talleyrand in modern times, had a finer perception of all the peculiarities of character, and of all the indications of coming change, than some of our countrymen in that age. Their power of reading things of high import, in signs which to others were invisible or unintelligible, resembled magic. But the curse of Reuben was upon them all: “Unstable as water, thou shalt not excel.”
This character is susceptible of innumerable modifications, according to the innumerable varieties of intellect and temper in which it may be found. Men of unquiet minds and violent ambition followed a fearfully eccentric course, darted wildly from one extreme to another, served and betrayed all parties in turn, showed their unblushing foreheads alternately in the van of the most corrupt administrations and of the most factious oppositions, were privy to the most guilty mysteries, first of the Cabal, and then of the Rye-House Plot, abjured their religion to win their sovereign’s favour while they were secretly planning his overthrow, shrived themselves to Jesuits with letters in cipher from the Prince of Orange in their pockets, corresponded with the Hague whilst in office under James, and began to correspond with St. Germain’s as soon as they had kissed hands for office under William. But Temple was not one of these. He was not destitute of ambition. But his was not one of those souls in which unsatisfied ambition anticipates the tortures of hell, gnaws like the worm which dieth not, and burns like the fire which is not quenched. His principle was to make sure of safety and comfort, and to let greatness come if it would. It came: he enjoyed it: and, in the very {13}first moment in which it could no longer be enjoyed without danger and vexation, he contentedly let it go. He was not exempt, we think, from the prevailing political immorality. His mind took the contagion, but took it _ad modum recipientis_, in a form so mild that an undiscerning judge might doubt whether it were indeed the same fierce pestilence that was raging all around. The malady partook of the constitutional languor of the patient. The general corruption, mitigated by his calm and unadventurous temperament, showed itself in omissions and desertions, not in positive crimes; and his inactivity, though sometimes timorous and selfish, becomes respectable when compared with the malevolent and perfidious restlessness of Shaftesbury and Sunderland.
Temple, sprang from a family which, though ancient and honourable, had, before his time, been scarcely mentioned in our history, but which, long after his death, produced so many eminent men, and formed such distinguished alliances, that it exercised, in a regular and constitutional manner, an influence in the state scarcely inferior to that which, in widely different times, and by widely different arts, the House of Neville attained in England, and that of Douglas in Scotland. During the latter years of George the Second, and through the whole reign of George the Third, members of that widely spread and powerful connection were almost constantly at the head either of the Government or of the Opposition. There were times when the cousinhood, as it was once nicknamed, would of itself have furnished almost all the materials necessary for the construction of an efficient Cabinet. Within the space of fifty years, three First Lords of the Treasury, three Secretaries of State, two Keepers {14}of the Privy Seal, and four First Lords of the Admiralty were appointed from among the sons and grandsons of the Countess Temple.
So splendid have been the fortunes of the main stock of the Temple family, continued by female succession. William Temple, the first of the line who attained to any historical eminence, was of a younger branch. His father, Sir John Temple, was Master of the Rolls in Ireland, and distinguished himself among the Privy Councillors of that kingdom by the zeal with which, at the commencement of the struggle between the Crown and the Long Parliament, he supported the popular cause. He was arrested by order of the Duke of Ormond, but regained his liberty by an exchange, repaired to England, and there sate in the House of Commons as burgess for Chichester. He attached himself to the Presbyterian party, and was one of those moderate members who, at the close of the year 1648, voted for treating with Charles on the basis to which that Prince had himself agreed, and who were, in consequence, turned out of the House, with small ceremony, by Colonel Pride. Sir John seems, however, to have made his peace with the victorious Independents; for, in 1653, he resumed his office in Ireland.
Sir John Temple was married to a sister of the celebrated Henry Hammond, a learned and pious divine, who took the side of the King with very conspicuous zeal during the civil war, and was deprived of his preferment in the church after the victory of the Parliament. On account of the loss which Hammond sustained on this occasion, he has the honour of being designated, in the cant of that new brood of Oxonian sectaries who unite the worst parts of the Jesuit to the worst parts of the Orangeman, as Hammond, Presbyter, Doctor, and Confessor. {15}William Temple, Sir John’s eldest son, was born in London in the year 1628. He received his early education under his maternal uncle, was subsequently sent to school at Bishop-Stortford, and, at seventeen, began to reside at Emmanuel College, Cambridge, where the celebrated Cudworth was his tutor. The times were not favourable to study. The Civil War disturbed even the quiet cloisters and bowling-greens of Cambridge, produced violent revolutions in the government and discipline of the colleges, and unsettled the minds of the students. Temple forgot at Emmanuel all the little Greek which he had brought from Bishop-Stortford, and never retrieved the loss; a circumstance which would hardly be worth noticing but for the almost incredible fact that, fifty years later, he was so absurd as to set up his own authority against that of Bentley on questions of Greek history and philology. He made no proficiency either in the old philosophy which still lingered in the schools of Cambridge, or in the new philosophy of which Lord Bacon was the founder. But to the end of his life he continued to speak of the former with ignorant admiration, and of the latter with equally ignorant contempt.
After residing at Cambridge two years, he departed without taking a degree, and set out upon his travels. He seems to have been then a lively, agreeable young man of fashion, not by any means deeply read, but versed in all the superficial accomplishments of a gentleman, and acceptable in all polite societies. In politics he professed himself a Royalist. His opinions on religious subjects seem to have been such as might be expected from a young man of quick parts, who had received a rambling education, who had not thought, deeply, who had been disgusted by the morose austerity {16}of the Puritans, and who, surrounded from childhood by the hubbub of conflicting sects, might easily learn to feel an impartial contempt for them all.
On his road to France he fell in with the son and daughter of Sir Peter Osborne. Sir Peter held Guernsey for the King, and the young people were, like their father, warm for the royal cause. At an inn where they stopped in the Isle of Wight, the brother amused himself with inscribing on the windows his opinion of the ruling powers. For this instance of malignancy the whole party were arrested, and brought before the governor. The sister, trusting to the tenderness which, even in those troubled times, scarcely any gentleman of any party ever failed to show where a woman was concerned, took the crime on herself, and was immediately set at liberty with her fellow-travellers.
This incident, as was natural, made a deep impression on Temple. He was only twenty. Dorothy Osborne was twenty-one. She is said to have been handsome; and there remains abundant proof that she possessed an ample share of the dexterity, the vivacity, and the tenderness of her sex. Temple soon became, in the phrase of that time, her servant, and she returned his regard. But difficulties, as great as ever expanded a novel to the fifth volume, opposed their wishes. When the courtship commenced, the father of the hero was sitting in the Long Parliament; the father of the heroine was commanding in Guernsey for King Charles. Even when the war ended, and Sir Peter Osborne returned to his seat at Chicksands, the prospects of the lovers were scarcely less gloomy. Sir John Temple had a more advantageous alliance in view for his son. Dorothy Osborne was in the mean {17}time besieged by as many suitors as were drawn to Belmont by the fame of Portia. The most distinguished on the list was Henry Cromwell. Destitute of the capacity, the energy, the magnanimity of his illustrious father, destitute also of the meek and placid virtues of his elder brother, this young man was perhaps a more formidable rival in love than either of them would have been. Mrs. Hutchinson, speaking the sentiments of the grave and aged, describes him as an “insolent foole,” and a “debauched ungodly cavalier.” These expressions probably mean that he was one who, among young and dissipated people, would pass for a fine gentleman. Dorothy was fond of dogs of larger and more formidable breed than those which lie on modern hearth rugs; and Henry Cromwell promised that the highest functionaries at Dublin should be set to work to procure her a fine Irish greyhound. She seems to have felt his attentions as very flattering, though his father was then only Lord-General, and not yet Protector. Love, however, triumphed over ambition, and the young lady appears never to have regretted her decision; though, in a letter written just at the time when all England was ringing with the news of the violent dissolution of the Long Parliament, she could not refrain from reminding Temple, with pardonable vanity, “how great she might have been, if she had been so wise as to have taken hold of the offer of H. C.”
Nor was it only the influence of rivals that Temple had to dread. The relations of his mistress regarded him with personal dislike, and spoke of him as an unprincipled adventurer, without honour or religion, ready to render service to any party for the sake of preferment. This is, indeed, a very distorted view of Temple’s {18}character. Yet a character, even in the most distorted view taken of it by the most angry and prejudiced minds, generally retains something of its outline. No caricaturist ever represented Mr. Pitt as a Falstaff, or Mr. Fox as a skeleton; nor did any libeller ever impute parsimony to Sheridan, or profusion to Marlborough. It must be allowed that the turn of mind which the eulogists of Temple have dignified with the appellation of philosophical indifference, and which, however becoming it may be in an old and experienced statesman, has a somewhat ungraceful appearance in youth, might easily appear shocking to a family who were ready to fight or to suffer martyrdom for their exiled King and their persecuted church. The poor girl was exceedingly hurt and irritated by these imputations on her lover, defended him warmly behind his back, and addressed to himself some very tender and anxious admonitions, mingled with assurances of her confidence in his honour and virtue. On one occasion she was most highly provoked by the way in which one of her brothers spoke of Temple. “We talked ourselves weary,” she says; “he renounced me, and I defied him.”
Near seven years did this arduous wooing continue. We are not accurately informed respecting Temple’s movements during that time. But he seems to have led a rambling life, sometimes on the Continent, sometimes in Ireland, sometimes in London. He made himself master of the French and Spanish languages, and amused himself by writing essays and romances, an employment which at least served the purpose of forming his style. The specimen which Mr. Courtenay has preserved of these early compositions is by no means contemptible: indeed, there is one passage on {19}Like and Dislike which could have been produced only by a mind habituated carefully to reflect on its own operations, and which reminds us of the best things in Montaigne.
Temple appears to have kept up a very active correspondence with his mistress. His letters are lost, but hers have been preserved; and many of them appear in these volumes. Mr. Courtenay expresses some doubt whether his readers will think him justified in inserting so large a number of these epistles. We only wish that there were twice as many. Very little indeed of the diplomatic correspondence of that generation is so well worth reading. There is a vile phrase of which bad historians are exceedingly fond, “the dignity of history.” One writer is in possession of some anecdotes which would illustrate most strikingly the operation of the Mississippi scheme on the manners and morals of the Parisians. But he suppresses those anecdotes, because they are too low for the dignity of history. Another is strongly tempted to mention some facts indicating the horrible state of the prisons of England two hundred years age. But he hardly thinks that the sufferings of a dozen felons, pigging together on bare bricks in a hole fifteen feet square, would form a subject suited to the dignity of history. Another, from respect for the dignity of history, publishes an account of the reign of George the Second, without ever mentioning Whitefield’s preaching in Moorfields. How should a writer, who can talk about senates, and congresses of sovereigns, and pragmatic sanctions, and ravelines, and counterscarps, and battles where ten thousand men are killed, and six thousand men with fifty stand of colours and eighty guns taken, stoop to the Stock-Exchange, to Newgate, to the theatre, to the tabernacle? {20}Tragedy has its dignity as well as history; and how much the tragic art has owed to that dignity any man may judge who will compare the majestic Alexandrines in which the Seigneur Oreste and Madame Andromaque utter their complaints, with the chattering of the fool in Lear and of the nurse in Romeo and Juliet.
The volume opens with a review of Courtenay's Memoirs of Sir William Temple, where Macaulay immediately establishes a critical tone: he grants the work “diligence, care, good sense, and impartiality” but judges it “not quite sufficient to make it readable.” This distinction between raw material and finished product sets a pattern for the essays that follow—Macaulay consistently evaluates both the subject and the biographer or historian, weighing evidence against narrative skill.
The excerpt from the Lord Clive essay shows a different register: direct, dramatic, and morally charged. Macaulay recounts Clive's return to Bengal in 1765, where he finds “the whole machine of government even more fearfully disorganized than he had anticipated.” Clive's private letter—declaring himself “superior to all corruption”—is quoted, and the Council scene is rendered with tense dialogue. The reader encounters Macaulay as both critic and storyteller, shifting between analytical distance and vivid reconstruction.
The Critic as Judge of Biography
In the Temple essay, Macaulay performs a dual role: he reviews Courtenay's book while also assessing Temple's character and career. He notes that Courtenay “has not sufficiently studied the arts of selection and compression,” implying that a biographer must shape facts into a readable narrative. Macaulay himself demonstrates that art in the Clive essay, where he selects a single episode—the 1765 reform—to illustrate Clive's resolve. The contrast between the two essays reveals Macaulay's method: he expects biography to be both accurate and engaging, and he practices what he preaches.
Macaulay's own prose is anything but raw material. He uses balanced sentences, antitheses, and pointed judgments. For example, he describes Courtenay's Toryism as “such as it is, he has held fast through all changes of fortune and fashion.” The phrasing is precise and slightly ironic, a hallmark of Macaulay's critical voice. Readers should watch how he moves from general praise to specific reservation, a technique that gives his reviews their characteristic bite.
Clive and the Language of Moral Reform
The Clive excerpt is built around a moral crisis: the English name has “sunk,” and Clive must “destroy these great and growing evils, or perish in the attempt.” Macaulay heightens the drama by quoting Clive's private letter, which uses the language of religious accountability—“by that great Being who is the searcher of all hearts.” This is not neutral history; it is a portrait of a man who sees himself as a reformer. Macaulay reinforces this by describing Clive's confrontation with Johnstone: “Clive interrupted him, and haughtily demanded whether he meant to question the power of the new government.” The scene is staged with a clear hero and villain.
Yet Macaulay does not simply praise Clive. He notes that Clive “had it in his power to triple his already splendid fortune” but chose reform instead. The implication is that Clive's virtue is tested by temptation. This moral framework—corruption versus integrity—runs through the essay and gives it a coherent theme. Readers should note how Macaulay uses direct speech and concrete detail to make abstract principles tangible.
Structure and Pacing in the Essays
Macaulay's essays are not uniform in structure. The Temple review begins with a lengthy assessment of Courtenay's character and career before turning to Temple himself. The Clive essay, by contrast, plunges into action: “Such were the circumstances under which Lord Clive sailed for the third and last time to India.” The pacing varies accordingly. In the Temple essay, Macaulay builds his case slowly, layering qualifications. In the Clive essay, he moves quickly from crisis to resolution, with only brief pauses for context.
This variety suggests that Macaulay adapted his method to his subject. For a biography he found dull, he emphasized the need for selection; for a dramatic life, he supplied drama. Readers approaching the volume for the first time may find it useful to sample both types of essay. The opening pages of the Temple essay show Macaulay the critic; the Clive excerpt shows Macaulay the narrator. Together, they demonstrate the range of his historical writing.
Evidence and Inference in the Excerpts
The excerpts provided are incomplete, but they offer clear evidence of Macaulay's methods. In the Temple essay, he quotes Courtenay's preface about “the superiority of literature to politics,” then uses that quotation to frame his own judgment. In the Clive essay, he quotes Clive's letter and the Council dialogue. These quotations are not decorative; they are the evidence from which Macaulay draws his conclusions. He does not invent motives or events; he interprets what his sources say.
However, the excerpts do not reveal the full arc of either essay. The Temple essay may include a detailed analysis of Temple's writings; the Clive essay likely covers Clive's earlier career and later controversies. Readers should be cautious about assuming the essays are purely hagiographic or purely critical. Macaulay's tone in the Clive excerpt is admiring, but the Temple excerpt shows he can be sharply critical. The full text would likely contain more nuance.
These excerpts suggest that Macaulay's essays reward attention to his rhetorical strategies: how he introduces a subject, how he uses quotations, and how he balances praise with criticism. Readers may find it useful to read the opening paragraphs of each essay carefully, as they often contain a thesis or a judgment that the rest of the essay develops. The volume also includes essays on Gladstone, von Ranke, Leigh Hunt, and Lord Holland, each likely offering a different perspective on Macaulay's critical range. Approach the collection as a series of performances, each with its own tone and structure.
That rainy afternoon, Macaulay’s account of Clive’s stubborn integrity lingered longer than the essays themselves. I kept thinking how a person’s character reveals itself in small refusals, in quiet choices about what to take or leave. Later, tidying a shelf, I found Recitations for the Social Circle. Selected and Original — Edition Insights. Its collection of speeches and verses felt like the same intimacy, distilled for a parlour’s lamplight, where voices speak plainly and one listens without hurry.
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