Three Margarets by Laura Elizabeth Howe Richards

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By Karen Choi Posted on Apr 1, 2026
In Category - True Adventure
Richards, Laura Elizabeth Howe, 1850-1943 Richards, Laura Elizabeth Howe, 1850-1943
English
Ever wonder what happens when three complete strangers—all named Margaret—get thrown together in a mysterious old mansion? That's exactly the setup in Laura E. Richards's charming 1897 novel, 'Three Margarets.' We meet Margaret Montfort, a quiet and proper young woman who inherits her uncle's sprawling estate, Fernley. The catch? The will states she must share her new home and life with two distant cousins she's never met... who also happen to be named Margaret. One is a fiery, dramatic actress from France; the other is a rough-and-tumble cowgirl from the American West. It's a recipe for disaster or, just maybe, the beginning of an unforgettable friendship. The real mystery isn't in a hidden treasure, but in whether these three wildly different women can bridge their worlds and become a family. It's a cozy, character-driven puzzle about identity, expectation, and finding your place.
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If you love stories about found family and the quiet drama of personalities clashing, you'll feel right at home with 'Three Margarets.'

The Story

The book follows Margaret Montfort, a reserved and well-bred young woman who suddenly becomes the mistress of Fernley, her late uncle's grand home. Her peaceful life is upended when she learns his will has a unique condition: she must provide a home for two cousins. Enter Peggy, a bold and theatrical French girl raised in Parisian artistic circles, and Rita, a fearless, no-nonsense young woman who grew up on a Western ranch. With three Margarets under one roof, each with her own strong ideas about manners, fun, and life itself, chaos and comedy are guaranteed. The plot watches them navigate this forced companionship, moving from polite suspicion and cultural misunderstandings to something much deeper.

Why You Should Read It

Forget big action scenes; the magic here is in the conversations. Richards had a fantastic ear for dialogue and a gentle, witty way of showing how people grow. You get to see each Margaret through the others' eyes, and their prejudices slowly soften. Peggy's dramatic flair seems less silly and more spirited. Rita's bluntness becomes honesty, not rudeness. The quiet Margaret learns to speak up. It's a lovely, slow-burn look at how we judge others and how shared daily life can build unexpected bonds. Written in 1897, it's also a fascinating peek at the era's ideas about femininity and class, but it never feels like a history lesson. The emotions are timeless.

Final Verdict

This is a perfect comfort read. It's for anyone who enjoys classic authors like Louisa May Alcott or L.M. Montgomery. If you like character studies, stories about sisters (even the adopted kind), or gentle novels where the biggest conflicts happen over the breakfast table, you'll adore this. It's also a great pick for younger readers looking to step into historical fiction, as the language is clear and the themes of friendship are universal. Just be warned: you might finish it wishing you had two fascinating cousins to invite over for a long visit.

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