The Aftermath; Or, Gleanings from a Busy Life Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters — A Closer Reading
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bits of a man that build up his character.” He also said (in his address to the I. C. B. Y.): “Show me a man hour by hour in his own home, from the rising of the sun to his going down, and I will tell you what manner of man he is.” I have always remembered the epigram, and have acted upon it in the endeavour to portray the inner nature of its gifted author.
I should, however, be giving but an insufficient picture of Dr. Caliban were I to leave the reader with no further impression of his life work, or indeed of the causes which have produced this book.
His father had left him a decent competence. He lay, therefore, under no necessity to toil for his living. Nevertheless, that sense of duty, “through which the eternal heavens are fresh and strong” (Wordsworth), moved him to something more than “the consumption of the fruits of the earth” (Horace). He preached voluntarily and without remuneration for some years to the churches in Cheltenham, and having married Miss Bignor, of Winchelthorpe-on-Sea, purchased a villa in that rising southern watering-place, and received a call to the congregation, which he accepted. He laboured there till his recent calamity.
I hardly know where to begin the recital of his numerous activities in the period of thirty-five years succeeding his marriage. With the pen he was indefatigable. A man more ποικίλος--or, as he put it, many-sided--perhaps never existed. There was little he would not touch, little upon which he was not consulted, and much in which, though anonymous, he was yet a leader.
He wrote regularly, in his earlier years, for _The Seventh Monarchy_, _The Banner_, _The Christian_, _The Free Trader_, _Household Words_, _Good Words_, _The Quiver_, _Chatterbox_, _The Home Circle_, and _The Sunday Monitor_. During the last twenty years his work has continually appeared in the _Daily Telegraph_, the _Times_, the _Siècle_, and the _Tribuna_. In the last two his work was translated.
His political effect was immense, and that though he never acceded to the repeated request that he would stand upon one side or the other as a candidate for Parliament. He remained, on the contrary, to the end of his career, no more than president of a local association. It was as a speaker, writer, and preacher, that his ideas spread outwards; thousands certainly now use political phrases which they may imagine their own, but which undoubtedly sprang from his creative brain. He was perhaps not the first, but one of the first, to apply the term “Anglo-Saxon” to the English-speaking race--with which indeed he was personally connected through his relatives in New Mexico. The word “Empire” occurs in a sermon of his as early as 1869. He was contemporary with Mr. Lucas, if not before him, in the phrase, “Command of the sea”: and I find, in a letter to Mrs. Gorch, written long ago in 1873, the judgment that Protection was “no longer,” and the nationalization of land “not yet,” within “the sphere of practical politics.”
If his influence upon domestic politics was in part due to his agreement with the bulk of his fellow-citizens, his attitude in foreign affairs at least was all his own. Events have proved it wonderfully sound. A strenuous opponent of American slavery as a very young man--in 1860--he might be called, even at that age, the most prominent Abolitionist in Worcestershire, and worked indefatigably for the cause in so far as it concerned this country. A just and charitable man, he proved, after the victory of the North, one of the firmest supporters in the press of what he first termed “an Anglo-American _entente_.” Yet he was not for pressing matters. He would leave the “gigantic daughter of the West” to choose her hour and time, confident in the wisdom of his daughter’s judgment, and he lived to see, before his calamity fell upon him, Mr. Hanna, Mr. Roosevelt, Mr. Elihu Root, and Mr. Smoot occupying the positions they still adorn.
He comprehended Europe. It was he who prophesied of the Dual Monarchy (I believe in the _Contemporary Review_), that “the death of Francis Joseph would be the signal for a great upheaval”; he that applied to Italy the words “clericalism is the enemy”; and he that publicly advised the withdrawal of our national investments from the debt of Spain--“a nation in active decay.” He cared not a jot when his critics pointed out that Spanish fours had risen since his advice no less than 20 per cent., while our own consols had fallen by an equal amount. “The kingdom I serve,” he finely answered, “knows nothing of the price of stock.” And indeed the greater part of his fortune was in suburban rents, saving a small sum unfortunately adventured in Shanghai Telephones.
Russia he hated as the oppressor of Finland and Poland, for oppression he loathed and combatted wherever it appeared; nor had Mr. Arthur Balfour a stronger supporter than he when that statesman, armed only in the simple manliness of an English Christian and Freeman, combatted and destroyed the terrorism that stalked through Ireland.
Of Scandinavia he knew singularly little, but that little was in its favour; and as for the German Empire, his stanzas to Prince Bismarck, and his sermon on the Emperor’s recent visit, are too well known to need any comment here. To Holland he was, until recently, attracted. Greece he despised.
Nowhere was this fine temper of unflinching courage and sterling common sense more apparent than in the great crisis of the Dreyfus case. No man stood up more boldly, or with less thought of consequence, for Truth and Justice in this country. He was not indeed the chairman of the great meeting in St. James’ Hall, but his peroration was the soul of that vast assemblage. “England will yet weather the storm....” It was a true prophecy, and in a sense a confession of Faith.
There ran through his character a vein of something steady and profound, which inspired all who came near him with a sense of quiet persistent _strength_. This, with an equable, unfailing pressure, restrained or controlled whatever company surrounded him. It was like the regular current of a full but silent tide, or like the consistent power of a good helmsman. It may be called his _personal force_. To most men and women of our circle, that force was a sustenance and a blessing; to ill-regulated or worldly men with whom he might come in contact, it acted as a salutary irritant, though rarely to so intense a degree as to give rise to scenes. I must unfortunately except the case of the Rural Dean of Bosham, whose notorious excess was the more lamentable from the fact that the Council of the _S.P.C.A._ is strictly non-sectarian, and whose excuse that the ink-pot was not thrown but brushed aside is, to speak plainly, a tergiversation.
The recent unhappy war in South Africa afforded an excellent opportunity for the exercise of the qualities I mean. He was still active and alert; still guiding men and maidens during its worse days. His tact was admirable. He suffered from the acute divisions of his congregation, but he suffered in powerful silence; and throughout those dark-days his sober _necquid nimis_[4] was like a keel and ballast for us all.
A young radical of sorts was declaiming at his table one evening against the Concentration Camp. Dr. Caliban listened patiently, and at the end of the harangue said gently, “Shall we join the ladies?” The rebuke was not lost.[5]
On another occasion, when some foreigner was reported in the papers as having doubted Mr. Brodrick’s figures relative to the numbers of the enemy remaining in the field, Dr. Caliban said with quiet dignity, “It is the first time I have heard the word of an English gentleman doubted.”
It must not be imagined from these lines that he defended the gross excesses of the London mob--especially in the matter of strong waters--or that he wholly approved of our policy. “Peace in our time, _Oh, Lord_!” was his constant cry, and against militarism he thundered fearlessly. I have heard him apply to it a word that never passed his lips in any other connection--the word DAMNABLE.
On the details of the war, the policy of annexation, the advisability of frequent surrenders, the high salaries of irregulars, and the employment of national scouts, he was silent. In fine, one might have applied to him the strong and simple words of Lord Jacobs, in his Guildhall speech.[6] One main fact stood out--he hated warfare. He was a man of peace.
The tall, broad figure, inclining slightly to obesity, the clear blue northern eyes, ever roaming from point to point as though seeking for grace, the familiar soft wideawake, the long full white beard, the veined complexion and dark-gloved hands, are now, alas, removed from the sphere they so long adorned.
Dr. Caliban’s affliction was first noticed by his family at dinner on the first of last September--a date which fell by a strange and unhappy coincidence on a Sunday. For some days past Miss Goucher had remarked his increasing volubility; but on this fatal evening, in spite of all the efforts of his wife and daughters, he continued to speak, without interruption, from half-past seven to a quarter-past nine; and again, after a short interval, till midnight, when he fell into an uneasy sleep, itself full of mutterings. His talk had seemed now a sermon, now the reminiscence of some leading article, now a monologue, but the whole quite incoherent, though delivered with passionate energy; nor was it the least distressing feature of his malady that he would tolerate no reply, nay, even the gentlest assent drove him into paroxysms of fury.
Next day he began again in the manner of a debate at the local Liberal Club, soon lapsing again into a sermon, and anon admitting snatches of strange songs into the flow of his words. Towards eleven he was apparently arguing with imaginary foreigners, and shortly afterwards the terrible scene was ended by the arrival of a medical man of his own persuasion.
It is doubtful whether Dr. Caliban will ever be able to leave Dr. Charlbury’s establishment, but all that can be done for him in his present condition is lovingly and ungrudgingly afforded. There has even been provided for him at considerable expense, and after an exhaustive search, a companion whose persistent hallucination it is that he is acting as private secretary to some leader of the Opposition, and the poor wild soul is at rest.
Such was the man who continually urged upon me the necessity of compiling some such work as that which now lies before the reader. He had himself intended to produce a similar volume, and had he done so I should never have dared to enter the same field; but I feel that in his present incapacity I am, as it were, fulfilling a duty when I trace in these few pages the plan which he so constantly counselled, and with such a man counsels were commands. If I may be permitted to dwell upon the feature more especially his own in this Guide, I will point to the section “On Vivid Historical Literature in its Application to Modern Problems,” and furthermore, to the section “On the Criticism and Distinction of Works Attributed to Classical Authors.” In the latter case the examples chosen were taken from his own large collection; for it was a hobby of his to purchase as bargains manuscripts and anonymous pamphlets which seemed to him to betray the hand of some master. Though I have been compelled to differ from my friend, and cannot conscientiously attribute the specimens I have chosen to William Shakespeare or to Dean Swift, yet I am sure the reader will agree with me that the error into which Dr. Caliban fell was that of no ordinary mind.
Finally, let me offer to his family, and to his numerous circle, such apologies as may be necessary for the differences in style, and, alas, I fear, sometimes in mode of thought, between the examples which I have chosen as models for the student and those which perhaps would have more powerfully attracted the sympathies of my preceptor himself. I am well aware that such a difference is occasionally to be discovered. I can only plead in excuse that men are made in very different ways, and that the disciple cannot, even if he would, forbid himself a certain measure of self-development. Dr. Caliban’s own sound and broad ethics would surely have demanded it of no one, and I trust that this solemn reference to his charity and genial toleration will put an end to the covert attacks which some of those who should have been the strongest links between us have seen fit to make in the provincial and religious press.
The ancient and honourable art of Reviewing is, without question, the most important branch of that great calling which we term the “Career of Letters.”
As it is the most important, so also it is the first which a man of letters should learn. It is at once his shield and his weapon. A thorough knowledge of Reviewing, both theoretical and applied, will give a man more popularity or power than he could have attained by the expenditure of a corresponding energy in any one of the liberal professions, with the possible exception of Municipal politics.
It forms, moreover, the foundation upon which all other literary work may be said to repose. Involving, as it does, the reading of a vast number of volumes, and the thorough mastery of a hundred wholly different subjects; training one to rapid, conclusive judgment, and to the exercise of a kind of immediate power of survey, it vies with cricket in forming the character of an Englishman. It is interesting to know that Charles Hawbuck was for some years principally occupied in Reviewing; and to this day some of our most important men will write, nay, and sign, reviews, as the press of the country testifies upon every side.
It is true that the sums paid for this species of literary activity are not large, and it is this fact which has dissuaded some of our most famous novelists and poets of recent years from undertaking Reviewing of any kind. But the beginner will not be deterred by such a consideration, and he may look forward, by way of compensation, to the ultimate possession of a large and extremely varied library, the accumulation of the books which have been given him to review. I have myself been presented with books of which individual volumes were sometimes worth as much as forty-two shillings to buy.
Having said so much of the advantages of this initial and fundamental kind of writing, I will proceed to a more exact account of its dangers and difficulties, and of the processes inherent to its manufacture.
It is clear, in the first place, that the Reviewer must regard herself as the servant of the public, and of her employer; and service, as I need hardly remind her (or him), has nothing in it dishonourable. We were all made to work, and often the highest in the land are the hardest workers of all. This character of service, of which Mr. Ruskin has written such noble things, will often lay the Reviewer under the necessity of a sharp change of opinion, and nowhere is the art a better training in morals and application than in the habit it inculcates of rapid and exact obedience, coupled with the power of seeing every aspect of a thing, and of insisting upon that particular aspect which will give most satisfaction to the commonwealth.
It may not be uninstructive if I quote here the adventures of one of the truest of the many stout-hearted men I have known, one indeed who recently died in harness reviewing Mr. Garcke’s article on Electrical Traction in the supplementary volumes of the _Encyclopædia Britannica_. This gentleman was once sent a book to review; the subject, as he had received no special training in it, might have deterred one less bound by the sense of duty. This book was called _The Snail: Its Habitat, Food, Customs, Virtues, Vices, and Future_. It was, as its title would imply, a monograph upon snails, and there were many fine coloured prints, showing various snails occupied in feeding on the leaves proper to each species. It also contained a large number of process blocks, showing sections, plans, elevations, and portraits of snails, as well as detailed descriptions (with diagrams) of the ears, tongues, eyes, hair, and nerves of snails. It was a comprehensive and remarkable work.
My friend (whose name I suppress for family reasons) would not naturally have cared to review this book. He saw that it involved the assumption of a knowledge which he did not possess, and that some parts of the book might require very close reading. It numbered in all 1532 pages, but this was including the index and the preface.
He put his inclinations to one side, and took the book with him to the office of the newspaper from which he had received it, where he was relieved to hear the Editor inform him that it was not necessary to review the work in any great detail. “Moreover,” he added, “I don’t think you need praise it too much.”
On hearing this, the Reviewer, having noted down the price of the book and the name of the publisher, wrote the following words--which, by the way, the student will do well to cut out and pin upon his wall, as an excellent example of what a “short notice” should be:--
“_The Snail: Its Habitat_, &c. Adam Charles. Pschuffer. 21s. 6d.
“This is a book that will hardly add to the reputation of its author. There is evidence of detailed work, and even of conscientious research in several places, but the author has ignored or misunderstood the whole teaching of ___________ and the special discoveries of ___________ and what is even more remarkable in a man of Mr. Charles’ standing, he advances views which were already exploded in the days of ___________.”
He then took an Encyclopædia and filled up the blanks with the names of three great men who appeared, according to that work, to be the leaders in this branch of natural history. His duty thus thoroughly accomplished and his mind at rest, he posted his review, and applied himself to lighter occupations.
Next day, however, the Editor telephoned to him, to the effect that the notice upon which he had spent so much labour could not be used.
“We have just received,” said the Editor, “a page advertisement from Pschuffer. I would like a really good article, and you might use the book as a kind of peg on which to hang it. You might begin on the subject of snails, and make it something more like your ‘_Oh! my lost friend_,’ which has had such a success.”
On occasions such as these the beginner must remember to keep full possession of himself.
Nothing in this mortal life is permanent, and the changes that are native to the journalistic career are perhaps the most startling and frequent of all those which threaten humanity.
The Reviewer of whom I speak was as wise as he was honourable. He saw at once what was needed. He wrote another and much longer article, beginning--
“_The Snail: Its Habitat_, &c. Adam Charles. Pschuffer. 21s. 6d.
“There are tender days just before the Spring dares the adventure of the Channel, when our Kentish woods are prescient, as it were, of the South. It is calm ...”
and so forth, leading gradually up to snails, and bringing in the book here and there about every twentieth line.
When this long article was done, he took it back to the office, and there found the Editor in yet a third mood. He was talking into the telephone, and begged his visitor to wait until he had done. My friend, therefore, took up a copy of the _Spectator_, and attempted to distract his attention with the masterful irony and hard crystalline prose of that paper.
Soon the Editor turned to him and said that Pschuffer’s had just let him know by the telephone that they would not advertise after all.
It was now necessary to delete all that there might be upon snails in his article, to head the remainder “My Kentish Home,” and to send it immediately to “_Life in the Open_.” This done, he sat down and wrote upon a scrap of paper in the office the following revised notice, which the Editor glanced at and approved:--
“_The Snail: Its Habitat_, &c. Adam Charles. Pschuffer. 21s. 6d.
Belloc's The Aftermath opens not with a narrative but with a cascade of mock endorsements, including a fabricated quote from The Times reduced to a dash and an exclamation mark. The dedication to Catherine, Mrs. Caliban, parodies fulsome acknowledgments, crediting her with 'unflinching courage' and 'catholic learning' for a book that might otherwise not exist. The epigraph from Carlyle's Frederick the Great—'O, Man! knowest thou that word Some Other?'—signals the work's ironic posture toward authorship and originality.
The Errata as Paratextual Joke
The book includes an 'Errata and Addenda' section that corrects 'enteric' to 'esoteric' on page 19, a trivial substitution that mocks scholarly pedantry. This prefatory joke primes the reader to expect a work where editorial seriousness is undercut at every turn. The errata list, placed before the main text, functions as a miniature satire of academic precision, hinting that the volume's content will similarly toy with reader expectations.
The Interview as Ritual Performance
The excerpt detailing the proper conduct of an interview reads as a deadpan manual for absurd social rituals. Belloc prescribes holding hat, gloves, and umbrella in the left hand to keep the right 'completely free,' and bowing 'subtly from the central vertebrae.' The advice culminates in two exceptions: for unknown men, the interviewer talks loudly for half an hour; for the wealthy, the same procedure ensures being 'forbidden the house.' This mock-instructional tone reveals the interview as a hollow performance, stripped of genuine exchange.
The Embedded Interview as Meta-Satire
Within the manual, Belloc includes a specimen interview 'Written specially for the Sunday Englishman, by the Rev. James Caliban, D.D.,' complete with a bogus biblical epigraph from 'Deuteronomy xvi. 7.' The interview begins with the interviewer 'leaping into a well-appointed cab,' a detail that parodies the breathless opening of journalistic profiles. By nesting a fictional interview inside a guide to interviewing, Belloc creates a recursive satire where the form itself becomes the target.
The Aftermath as Structural Conceit
The title The Aftermath; Or, Gleanings from a Busy Life frames the collection as leftover material, while the subtitle 'Caliban's Guide to Letters' (added for sale) openly admits the commercial packaging of literary advice. The book's structure—opening with press opinions, a dedication, errata, then a series of sketches—mimics the apparatus of a serious work while emptying it of substance. Readers should attend to how Belloc uses paratexts (titles, epigraphs, footnotes) to undermine the very authority the book pretends to claim.
Belloc's satire works best when read as a performance of literary conventions rather than a guide to them. The mock-interview manual and its embedded specimen reward attention to tonal shifts—from pompous instruction to absurd example. The errata and dedication are not mere decoration but integral to the book's critique of authorship. Approach each sketch as a variation on the theme of hollow form, and the collection coheres as a sustained parody of the literary marketplace.
There’s a particular ache in Belloc’s mock-editorial, that sense of poems and letters slipping past us, marketed into something less. I remember feeling that same quiet pang, years ago, flipping through an old copy of his essays late one winter, caught between laughter and longing. It lingered, that mood. Books and Bookmen — Story, Setting & Ideas seems to hold that same dusty light, the kindness of imperfection.
Joseph Roberts
3 weeks agoGrayson Martinez
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1 month ago-
Michael Matthews - 1 month ago
This book is a mess. The title is deliberately confusing, the content is disjointed, and the satire often misses the mark. It feels like a self-indulgent collection of random thoughts that were never properly edited. Unless you're a devoted follower of the author, this is a frustrating read that will likely leave you wondering why you bothered. -
Tara Hodges - 2 weeks ago
A quirky and intriguing read, mixing personal reflections with satirical advice on writing. The humor is dry and often clever, but the structure is chaotic, making it hard to follow a continuous thread. Some sections drag, while others shine. It's a decent pick for a lazy afternoon, but not a cohesive work that will stay with you long. -
Isaac Jones - 1 week ago
This peculiar book is a hidden gem for lovers of literary eccentricity. The Aftermath, with its absurdly long subtitle, is a playful collection of essays and musings on the writing life. Caliban's Guide to Letters is a satirical masterpiece that will make you laugh out loud. The wit is sharp, the observations are keen, and it's a joy to dip into. A must-read for anyone who appreciates clever, unconventional literature.
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Lucas Brown
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