Library of the World's Best Literature, Ancient and Modern — Volume 08 — Key Ideas to Explore

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Warner, Charles Dudley, 1829-1900 [Editor], Mabie, Hamilton Wright, 1846-1916 [Editor], Runkle, Lucia Gilbert (Lucia Isabella Gilbert), 1844-1922 [Editor], Warner, George H., 1833-1919 [Editor] Project Gutenberg 2010 Not confirmed
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Words 156,055
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Text sections 21

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This volume of the Library of the World's Best Literature includes selections from John Calvin, Luiz Vaz de Camoens, Thomas Campbell, and others, with editorial introductions. The excerpts show a wide range of voices, from Calvin's theological prose to Carroll's nonsense verse, and include a biographical sketch of Casanova.
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Lusus or by Lysa, sons, they say, of antient Bacchus, or his boon compeers, eke the first dwellers of her eldest years.

"Here sprang the Shepherd,[6] in whose name we see forecast of virile might, of virtuous meed; whose fame no force shall ever hold in fee, since fame of mighty Rome ne'er did the deed. This, by light Heaven's volatile decree, that antient Scyther, who devours his seed, made puissant pow'er in many a part to claim, assuming regal rank; and thus it came:--

"A King there was in Spain, Afonso hight, who waged such warfare with the Saracen, that by his 'sanguined arms, and arts, and might, he spoiled the lands and lives of many men. When from Hercùlean Calpè winged her flight his fame to Caucasus Mount and Caspian glen, many a knight, who noblesse coveteth, comes offering service to such King and Death.

"And with intrinsic love inflamèd more for the True Faith, than honours popular, they troopèd, gath'ering from each distant shore, leaving their dear-loved homes and lands afar. When with high feats of force against the Moor they proved of sing'ular worth in Holy War, willèd Afonso that their mighty deeds commens'urate gifts command and equal meeds.

"'Mid them Henrique, second son, men say, of a Hungarian King, well-known and tried, by sort won Portugal which, in his day, ne prizèd was ne had fit cause for pride: His strong affection stronger to display the Spanish King decreed a princely bride, his only child, Teresa, to the count; And with her made him Seigneur Paramount.

"This doughty Vassal from that servile horde, Hagar, the handmaid's seed, great vict'ories won; reft the broad lands adjacent with his sword and did whatever Brav'ery bade be done; Him, for his exploits excellent to reward, God gave in shortest space a gallant son, whose arm to 'noble and enfame was fain the warlike name of Lusitania's reign.

"Once more at home this conqu'ering Henry stood who sacred Hierosol'yma had relievèd, his eyes had fed on Jordan's holy flood, which the Dear Body of Lord God had lavèd; when Godfrey left no foe to be subdued, and all Judæa conquered was and savèd, many that in his wars had done devoir to their own lordships took the way once more.

"But when this stout and gallant Hun attainèd Life's fatal period, age and travail-spent, he gave, by Death's necessity constrainèd, his sprite to him that had that spirit lent: A son of tender years alone remainèd, to whom the Sire bequeath'd his 'bodiment; with bravest braves the youth was formed to cope, for from such sire such son the world may hope.

"Yet old Report, I know not what its weight (for on such antique tale no man relies), saith that the Mother, tane in tow the State, A second nuptial bed did not despise: Her orphan son to disinher'ited fate she doomed, declaring hers the dignities, not his, with seigniory o'er all the land, her spousal dowry by her sire's command.

"Now Prince Afonso (who such style had tane in pious mem'ory of his Grandsire's name), seeing no part and portion in his reign all pilled and plundered by the Spouse and Dame. by dour and doughty Mars inflamed amain, privily plots his heritage to claim: He weighs the causes in his own conceit till firm Resolve its fit effect shall greet.

"Of Guimara'ens the field already flow'd with floods of civil warfare's bloody tide, where she, who little of the Mother show'd, to her own bowels love and land denied. Fronting the child in fight the parent stood; nor saw her depth of sin that soul of pride against her God, against maternal love: Her sensual passion rose all pow'r above.

"O magical Medea! O Progne dire! if your own babes in vengeance dared ye kill for alien crimes, and injuries of the sire, look ye, Teresa's deed was darker still. Foul greed of gain, incontinent desire, were the main causes of such bitter ill: Scylla her agèd sire for one did slay, for both Teresa did her son betray.

"Right soon that noble Prince clear vict'ory won from his harsh Mother and her Fere indign; in briefest time the land obeyed the son, though first to fight him did the folk incline. But reft of reason and by rage undone he bound the Mother in the biting chain: Eftsoons avenged her griefs the hand of God: Such veneration is to parents ow'd.

"Lo! the superb Castilian 'gins prepare his pow'r to 'venge Teresa's injuries, against the Lusian land in men so rare, whereon ne toil ne trouble heavy lies. Their breasts the cruel battle grandly dare, aid the good cause angelic Potencies; unrecking might unequal still they strive, nay, more, their dreadful foe to flight they drive!

"Passeth no tedious time, before the great Prince a dure Siege in Guimaraens dree'd by passing pow'er, for to 'mend his state, came the fell en'emy, full of grief and greed: But when committed life to direful Fate, Egas, the faithful guardian, he was free'd, who had in any other way been lost, all unpreparèd 'gainst such 'whelming host.

"But when the loyal Vassal well hath known how weak his Monarch's arm to front such fight, sans order wending to the Spanish fone, his Sovran's homage he doth pledge and plight. Straight from the horrid siege th' invader flown trusteth the word and honour of the Knight, Egas Moniz: But now the noble breast of the brave Youth disdaineth strange behest.

"Already came the plighted time and tide, when the Castilian Don stood dight to see, before his pow'er the Prince bend low his pride, yielding the promisèd obediency. Egas who views his knightly word belied, while still Castile believes him true to be, Sweet life resolveth to the winds to throw, nor live with foulest taint of faithless vow.

"He with his children and his wife departeth to keep his promise with a faith immense; unshod and strippèd, while their plight imparteth far more of pity than of vengeance: 'If, mighty Monarch! still thy spirit smarteth to wreak revenge on my rash confidence,' quoth he, 'Behold! I come with life to save my pledge, my knightly honour's word I gave.'

"'I bring, thou seest here, lives innocent, of wife, of sinless children dight to die; if breasts of gen'erous mould and excellent accept such weaklings' woeful destiny. Thou seest these hands, this tongue inconsequent: hereon alone the fierce exper'iment try of torments, death, and doom that pass in full Sinis or e'en Perillus' brazen bull.'

"As shrifted wight the hangman stands before, in life still draining bitter draught of death, lays throat on block, and of all hope forlore, expects the blighting blow with bated breath: So, in the Prince's presence angry sore, Egás stood firm to keep his plighted faith: When the King, marv'elling at such wondrous truth, feels anger melt and merge in Royal ruth.

"Oh the great Portingall fidelity of Vassal self-devote to doom so dread! What did the Persian more for loyalty whose gallant hand his face and nostrils shred? When great Darius mourned so grievously that he a thousand times deep-sighing said, far he prefer'd his Zóp'yrus sound again, than lord of twenty Babylons to reign.

"But Prince Afonso now prepared his band of happy Lusians proud to front the foes, those haughty Moors that held the glorious land yon side where clear delicious Tagus flows: Now on Ourique[8] field was pitched and plan'd the Royal 'Campment fierce and bellicose, facing the hostile host of Sarrasin though there so many, here so few there bin.

"Confident, yet would he in naught confide, save in his God that holds of Heav'en the throne; so few baptizèd stood their King beside, there were an hundred Moors for every one: Judge any sober judgment, and decide 'twas deed of rashness or by brav'ery done to fall on forces whose exceeding might a cent'ury showèd to a single Knight.

"Order five Moorish Kings the hostile host of whom Ismár, so called, command doth claim; all of long Warfare large experience boast, wherein may mortals win immortal fame: And gallant dames the Knights they love the most 'company, like that brave and beauteous Dame, who to beleaguered Troy such aidance gave with woman-troops that drained Thermòdon's wave.

"The coolth serene, and early morning's pride, now paled the sparkling stars about the Pole, when Mary's Son appearing crucified in vision, strengthened King Afonso's soul. But he, adoring such appearance, cried, fired with a phrenzied faith beyond control: 'To th' Infidel, O Lord! to th' Infidel:[9] Not, Lord, to me who know Thy pow'er so well.'

"Such gracious marvel in such manner sent 'flamèd the Lusians' spirits fierce and high, towards their nat'ural King, that excellent Prince, unto whom love-boon none could deny: Aligned to front the foeman prepotent, they shouted res'onant slogan to the sky, and fierce the 'larum rose, 'Real, real, for high Afonso, King of Portugal!'

"Accomplishèd his act of arms victorious, home to his Lusian realm Afonso[10] sped, to gain from Peace-tide triumphs great and glorious, as those he gained in wars and battles dread; when the sad chance, on History's page memorious, which can unsepulchre the sheeted dead, befell that ill-starr'd, miserable Dame who, foully slain, a thronèd Queen became.

"Thou, only thou, pure Love, whose cruel might obligeth human hearts to weal and woe, thou, only thou, didst wreak such foul despight, as though she were some foul perfidious foe. Thy burning thirst, fierce Love, they say aright, may not be quencht by saddest tears that flow; Nay, more, thy sprite of harsh tyrannick mood would see thine altars bathed with human blood.

"He placed thee, fair Ignèz! in soft retreat, culling the first-fruits of thy sweet young years, in that delicious Dream, that dear Deceit, whose long endurance Fortune hates and fears: Hard by Mondego's yearned-for meads thy seat, where linger, flowing still, those lovely tears, until each hill-born tree and shrub confest the name of Him deep writ within thy breast.[11]

"There, in thy Prince awoke responsive-wise, dear thoughts of thee which soul-deep ever lay; which brought thy beauteous form before his eyes, whene'er those eyne of thine were far away; Night fled in falsest, sweetest phantasies, in fleeting, flying reveries sped the Day; and all, in fine, he saw or cared to see were memories of his love, his joys, his thee.

"Of many a dainty dame and damosel The coveted nuptial couches he rejecteth; for naught can e'er, pure Love! thy care dispel, when one enchanting shape thy heart subjecteth. These whims of passion to despair compel the Sire, whose old man's wisdom aye respecteth, his subjects murmuring at his son's delay to bless the nation with a bridal day.

"To wrench Ignèz from life he doth design, better his captured son from her to wrench; deeming that only blood of death indign the living lowe of such true Love can quench. What Fury willed it that the steel so fine, which from the mighty weight would never flinch of the dread Moorman, should be drawn in hate to work that hapless delicate Ladye's fate?

"The horr'ible Hangmen hurried her before the King, now moved to spare her innocence; but still her cruel murther urged the more the People, swayed by fierce and false pretence. She with her pleadings pitiful and sore, that told her sorrows and her care immense for her Prince-spouse and babes, whom more to leave than her own death the mother's heart did grieve:

"And heav'enwards to the clear and crystalline skies, raising her eyne with piteous tears bestainèd; her eyne, because her hands with cruel ties one of the wicked Ministers constrainèd: And gazing on her babes in wistful guise, whose pretty forms she loved with love unfeignèd, whose orphan'd lot the Mother filled with dread, until their cruel grandsire thus she said:--

"'If the brute-creatures, which from natal day on cruel ways by Nature's will were bent; or feral birds whose only thought is prey, upon aërial rapine all intent; if men such salvage be'ings have seen display to little children loving sentiment, e'en as to Ninus' mother did befall, and to the twain who rear'd the Roman wall:

"'O thou, who bear'st of man the gest and breast, (an it be manlike thus to draw the sword on a weak girl because her love imprest his heart, who took her heart and love in ward); respect for these her babes preserve, at least! since it may not her òbscure death retard: Moved be thy pitying soul for them and me, although my faultless fault unmoved thou see!

"'And if thou know'est to deal in direful fight the doom of brand and blade to Moorish host, Know also thou to deal of life the light to one who ne'er deserved her life be lost; But an thou wouldst mine inno'cence thus requite, place me for aye on sad exilèd coast, in Scythian sleet, on seething Libyan shore, with life-long tears to linger evermore.

"'Place me where beasts with fiercest rage abound,-- Lyons and Tygers,--there, ah! let me find if in their hearts of flint be pity found, denied to me by heart of humankind. There with intrinsic love and will so fond for him whose love is death, there will I tend these tender pledges whom thou see'st; and so shall the sad mother cool her burning woe.'

"Inclin'ed to pardon her the King benign, moved by this sad lament to melting mood; but the rude People and Fate's dure design (that willed it thus) refused the pardon sued: They draw their swords of steely temper fine, They who proclaim as just such deed of blood: Against a ladye, caitiff, felon wights! how showed ye here, brute beasts or noble Knights?

"Thus on Polyxena, that beauteous maid, last solace of her mother's age and care, when doom'd to die by fierce Achilles' shade, the cruel Pyrrhus hasted brand to bare: But she (a patient lamb by death waylaid) with the calm glances which serene the air, casts on her mother, mad with grief, her eyes and silent waits that awesome sacrifice.

"Thus dealt with fair Ignèz the murth'erous crew, in th' alabastrine neck that did sustain the charms whereby could Love the love subdue of him, who crown'd her after death his Queen; bathing their blades; the flow'ers of snowy hue, which often water'ed by her eyne had been, are blood-dyed; and they burn with blinding hate, reckless of tortures stor'd for them by Fate.

"Well mightest shorn of rays, O Sun! appear to fiends like these on day so dark and dire; as when Thyestes ate the meats that were his seed, whom Atreus slew to spite their sire. And you, O hollow Valleys! doomed to hear her latest cry from stiffening lips expire-- her Pedro's name,--did catch that mournful sound, whose echoes bore it far and far around!

"E'en as Daisy sheen, that hath been shorn in time untimely, floret fresh and fair, and by untender hand of maiden torn to deck the chaplet for her wreathèd hair; gone is its odor and its colours mourn; So pale and faded lay that Ladye there; dried are the roses of her cheek, and fled the white live color, with her dear life dead.

"Mondego's daughter-Nymphs the death obscure wept many a year, with wails of woe exceeding; and for long mem'ry changed to fountain pure the floods of grief their eyes were ever feeding: The name they gave it, which doth still endure, revived Ignèz, whose murthered love lies bleeding, see yon fresh fountain flowing 'mid the flowers, tears are its waters, and its name 'Amores!'[12]

"Time ran not long, ere Pedro saw the day of vengeance dawn for wounds that ever bled; who, when he took in hand the kingly sway, eke took the murth'erers who his rage had fled: Them a most cruel Pedro did betray; for both, if human life the foemen dread, made concert savage and dure pact, unjust as Lepidus made with Anthony' and Augustus."

[7] Valdevez, or Campo da Matança, A.D. 1128 (Canto iv. 16).

[8] Battle of Ourique, A.D. 1139.

[9] _I. e._, disclose Thyself; show a sign.

[10] Alfonso IV. (1325-1357).

[11] Writing his name upon the tree-trunks and leaves.

[12] The famous _Fonte-dos-Amores_, near Coimbra.

Come here! my confidential Secretary Of the complaints in which my days are rife, Paper,--whereon I gar my griefs o'erflow. Tell we, we twain, Unreasons which in life Deal me inexorable, contrary Destinies surd to prayer and tearful woe. Dash we some water-drops on muchel lowe, Fire we with outcries storm of rage so rare That shall be strange to mortal memory. Such misery tell we To God and Man, and eke, in fine, to air, Whereto so many times did I confide My tale and vainly told as I now tell; But e'en as error was my birthtide-lot, That this be one of many doubt I not. And as to hit the butt so far I fail E'en if I sinnèd her cease they to chide: Within mine only Refuge will I 'bide To speak and faultless sin with free intent. Sad he so scanty mercies must content!

Long I've unlearnt me that complaint of dole Brings cure of dolours; but a wight in pain To greet is forcèd an the grief be great. I _will_ outgreet; but weak my voice and vain To express the sorrows which oppress my soul; For nor with greeting shall my dole abate. Who then shall grant me, to relieve my weight Of sorrow, flowing tears and infinite sighs Equal those miseries my Sprite o'erpower? But who at any hour, Can measure miseries with his tears or cries? I'll tell, in fine, the love for me design'd By wrath and woe and all their sovenance; For other dole hath qualities harder, sterner. Draw near and hear me each despairing Learner! And fly the many fed on Esperance Or wights who fancy Hope will prove her kind; For Love and Fortune willed, with single mind, To leave them hopeful, so they comprehend What measure of unweal in hand they hend.

When fro' man's primal grave, the mother's womb, New eyes on earth I oped, my hapless star To mar my Fortunes 'gan his will enforce; And freedom (Free-will given me) to debar: I learnt a thousand times it was my doom. To know the Better and to work the Worse: Then with conforming tormentize to curse My course of coming years, when cast I round A boyish eye-glance with a gentle zest, It was my Star's behest A Boy born blind should deal me life-long wound. Infantine tear-drops wellèd out the deep With vague enamoured longings, nameless pine: My wailing accents fro' my cradle-stound Already sounded me love-sighing sound. Thus age and destiny had like design: For when, peraunter, rocking me to sleep They sung me Love-songs wherein lovers weep, Attonce by Nature's will asleep I fell, So Melancholy witcht me with her spell!

My nurse some Feral was; Fate nilled approve By any Woman such a name be tane Who gave me breast; nor seemed it suitable. Thus was I suckled that my lips indrain E'en fro' my childhood venom-draught of Love, Whereof in later years I drained my fill, Till by long custom failed the draught to kill. Then an Ideal semblance struck my glance Of that fere Human deckt with charms in foyson, Sweet with the suavest poyson, Who nourisht me with paps of Esperance; Till later saw mine eyes the original, Which of my wildest, maddest appetite Makes sinful error sovran and superb. Meseems as human form it came disturb, But scintillating Spirit's divinest light. So graceful gait, such port imperial Were hers, unweal vainglory'd self to weal When in her sight, whose lively sheen and shade Exceeded aught and all things Nature made.

The eighth volume of the Library of the World's Best Literature spans a remarkable range of voices, from the theological rigor of John Calvin to the playful nonsense of Lewis Carroll. The editorial introductions frame each author with contextual remarks, but the excerpts themselves reveal sharp contrasts in narrative pace and linguistic texture. Calvin's prose moves with deliberate, argumentative weight, while Carroll's verse skips along with rhythmic absurdity. The volume also includes a biographical sketch of Casanova that shifts between analytical commentary and anecdotal detail, illustrating how the editors balanced scholarly distance with narrative flair.

Calvin's Rhetorical Structure

The excerpt from Calvin's 'Institutes of the Christian Religion' demonstrates a tightly structured argumentative voice. Sentences are long and clause-heavy, building logical chains through repetition and parallelism. For instance, the passage on election and predestination uses phrases like 'we say that' and 'it is therefore' to guide the reader through a dense theological framework. The pace is measured, almost judicial, with each claim supported by scriptural reference. This contrasts sharply with the lighter selections later in the volume, where narrative brevity and wit take precedence.

Carroll's Playful Pacing

Lewis Carroll's 'You Are Old, Father William' from Alice's Adventures in Wonderland offers a study in rapid-fire dialogue and rhythmic variation. The poem's structure—a series of questions and answers—creates a staccato pace, with each stanza ending in a punchline. The language is colloquial and absurd, with phrases like 'I shall softly and silently vanish away' from 'The Hunting of the Snark' showing a shift from narrative to lyrical whimsy. Carroll's voice relies on unexpected rhymes and metrical surprises, a stark departure from the volume's more solemn entries.

Casanova's Biographical Voice

The editorial sketch of Casanova blends analytical commentary with vivid characterization. The opening sentence—'The unique figure of Casanova stands out as a type of all that was most vicious and most brilliant in the eighteenth century'—sets a tone of measured judgment. The prose then shifts to specific details: his physical beauty, his multilingual wit, his supposed gift for mesmerism. The pace varies from broad historical context to intimate anecdote, such as his grandmother's sacrifice to send him to seminary. This mixture of distance and intimacy gives the biography a novelistic quality, distinct from the more straightforward introductions elsewhere.

Contrasts in Editorial Approach

The editorial introductions themselves vary in tone and depth. The Calvin entry, by Arthur Cushman McGiffert, is scholarly and focused on theological context, while the Casanova sketch is more narrative and character-driven. The Campbell introduction, by contrast, is brief and lists his works without extensive analysis. This inconsistency in editorial voice suggests that the volume's editors allowed contributors to shape their own approaches, resulting in a collection that feels less like a unified anthology and more like a series of independent essays. Readers may find the shifts in pace and perspective jarring, but they also reveal the breadth of literary criticism at the turn of the century.

Readers approaching this volume should be prepared for abrupt transitions in style and subject matter. The editors have assembled a diverse set of texts, but the connective tissue—the introductions—varies widely in depth and focus. Pay attention to how each excerpt's language and pacing reflect its era and genre. The volume rewards those who read it not as a continuous narrative but as a series of distinct literary encounters, each with its own rhythm and rhetorical strategy.

Calvin’s stern voice made me recall my grandfather’s dog-eared copy of the old anthology, pages smelling of dust and pipe smoke. He’d read aloud to me, his voice slowing on passages he loved. There is quiet comfort in that shared weight of pages, much as I found once in Library of the World's Best Literature, Ancient and Modern — Volume 15 — Key Ideas to Explore, where the same hush of many voices gathered close.

Elijah Moore
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