Remarks — Story, Setting & Ideas

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Nye, Bill, 1850-1896 Project Gutenberg 2005 Not confirmed
American wit and humor Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 168,760
Reading time 734 min
Text sections 24

Before opening Remarks — Story, Setting & Ideas, the edition data offers a quick orientation: 168,760 words, 12 hr 14 min estimated reading time, and 24 detected text sections.

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Project Gutenberg metadata also associates the work with “American wit and humor,” connecting these edition facts with the source record’s subject description.

Bill Nye's 'Remarks' is a collection of humorous essays and sketches, blending satire with absurd observations on American life, law, and human folly, marked by a playful, self-deprecating voice.
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Editorial Edition Score 4.9/5

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use the word “Eureka.” It has been successfully used very much lately, and as a result we have the Eureka baking powder, the Eureka suspender, the Eureka bed-bug buster, the Eureka shirt, and the Eureka stomach bitters. Little did Archimedes wot, when he invented this term, that it would come into such general use.

Its origin has been explained before, but it would not be out of place here for me to tell it as I call it to mind now, looking back over Archie's eventful life.

King Hiero had ordered an eighteen karat crown, size 7-1/8, and, after receiving it from the hands of the jeweler, suspected that it had been adulterated. He therefore applied to Archimedes to ascertain, if possible, whether such was the case or not. Archimedes had just got in on No. 3, two hours late, and covered with dust. He at once started for a hot and cold bath emporium on Sixteenth street, meantime wondering how the dickens he would settle that crown business.

He filled the bath-tub level full, and, piling up his raiment on the floor, jumped in. Displacing a large quantity of water, equal to his own bulk, he thereupon solved the question of specific gravity, and, forgetting his bill, forgetting his clothes, he sailed up Sixteenth street and all over Syracuse, clothed in shimmering sunlight and a plain gold ring, shouting “Eureka!” He ran head-first into a Syracuse policeman and howled “Eureka!” The policeman said: “You'll have to excuse me; I don't know him.” He scattered the Syracuse Normal school on its way home, and tried to board a Fifteenth street bob-tail car, yelling “Eureka!” The car-driver told him that Eureka wasn't on the car, and referred Archimedes to a clothing store.

Everywhere he was greeted with surprise. He tried to pay his car-fare, but found that he had left his money in his other clothes.

Some thought it was the revised statute of Hercules; that he had become weary of standing on his pedestal during the hot weather, and had started out for fresh air. I give this as I remember it. The story is foundered on fact.

Archimedes once said: “Give me where I may stand, and I will move the world.” I could write it in the original Greek, but, fearing that the nonpareil delirium tremens type might get short, I give it in the English language.

It may be tardy justice to a great mathematician and scientist, but I have a few resolutions of respect which I would be very glad to get printed on this solemn occasion, and mail copies of the paper to his relatives and friends:

“WHEREAS, It has pleased an All-wise Providence to remove from our midst Archimedes, who was ever at the front in all deserving labors and enterprises; and

“WHEREAS, We can but feebly express our great sorrow in the loss of Archimedes, whose front name has escaped our memory; therefore

“_Resolved_, That in his death we have lost a leading citizen of Syracuse, and one who never shook his friends--never weakened or gigged back on those he loved.

“_Resolved_, That copies of these resolutions will be spread on the moments of the meeting of the Common Council of Syracuse, and that they be published in the Syracuse papers eodtfpdq&cod, and that marked copies of said papers be mailed to the relatives of the deceased.”

To the President-Elect.

Dear Sir.--The painful duty of turning over to you the administration of these United States and the key to the front door of the White House has been assigned to me. You will find the key hanging inside the storm-door, and the cistern-pole up stairs in the haymow of the barn. I have made a great many suggestions to the outgoing administration relative to the transfer of the Indian bureau from the department of the Interior to that of the sweet by-and-by. The Indian, I may say, has been a great source of annoyance to me, several of their number having jumped one of my most valuable mining claims on White river. Still, I do not complain of that. This mine, however, I am convinced would be a good paying property if properly worked, and should you at any time wish to take the regular army and such other help as you may need and re-capture it from our red brothers, I would be glad to give you a controlling interest in it.

Bill Nye opens Remarks with a mock-serious preface, claiming the book is a 'universal repository of thought' and his 'greatest and best' work, while joking that it shrank because he omitted unworthy ideas. This sets the tone for a collection that moves unpredictably between legal anecdotes, social commentary, and absurdist sketches. The excerpts show Nye’s fondness for abrupt scene shifts: a divorce consultation gives way to a phrenology satire, then to a mock-heroic description of a boy in patched overalls. The structure is not linear but associative, held together by a consistent persona—the weary, wisecracking observer who undercuts his own authority.

The Lawyer as Comic Foil

Several excerpts place Nye in the role of a lawyer, but the courtroom is a stage for farce rather than drama. In one sketch, a client weeps on his bosom, leaving the scent of 'the early sausage and the fleeting pancake' on his coat. Nye responds by physically 'avaunting' her into a chair. The legal case—a divorce based on 'cruelty to animals'—dissolves when the client’s hoped-for sailor fiancé marries another. Nye presents himself as a reluctant counselor, more concerned with the absurdity of his clients than with legal procedure. The humor arises from the contrast between the solemnity of law and the mundane, messy realities of human behavior.

Phrenology and the American Ego

In 'Heap Brain,' Nye attacks the pseudoscience of phrenology, noting that charts from a Western phrenologist never identify farmers or chambermaids, only 'artists, orators, prima-donnas and statesmen.' He jokes that this explains high butter prices west of the Missouri: 'genius actually runs riot' while practical skills are undervalued. The satire targets American self-regard—the belief that every citizen is a 'sovereign.' Nye warns against overdoing sovereignty, especially when the sovereign lets calves eat his beans. The passage moves from a specific quack to a broader critique of misplaced ambition, using concrete, domestic details to ground the humor.

Recurring Images of Domestic Disarray

Throughout the excerpts, Nye repeatedly draws on images of cooking, clothing, and household mess. The client’s bonnet smells of pancakes and sausage; the future president wears overalls with a 'hickory dado' and a 'navy blue flannel' triangle. These details are not decorative—they anchor abstract jokes in physical, often unglamorous reality. Nye’s humor thrives on incongruity: a weeping woman’s bonnet carries the odor of breakfast, a boy’s patched trousers hint at presidential destiny. The effect is to deflate pretension by reminding readers of the body’s needs and the home’s chaos, a technique that recurs across the collection.

The Self-Deprecating Narrator

Nye’s narrator is a constant presence, but he never claims authority. In the preface, he admits the book shrank because he removed inferior thoughts; in the legal sketch, he is outmaneuvered by a client’s changing circumstances. He presents himself as a man buffeted by events, not controlling them. This persona allows him to mock others without seeming superior—he is as fallible as his subjects. The humor is gentle but pointed, relying on understatement and deadpan delivery. Readers should watch for how Nye uses his own incompetence as a mirror for broader human folly, a strategy that gives the collection a cohesive voice despite its varied topics.

Remarks rewards readers who enjoy humor built on specific, odd details rather than punchlines. Nye’s essays are best approached as performances: each piece is a stage for his persona to react to the world’s absurdities. Pay attention to the way he shifts tone within a single paragraph—from mock-heroic to matter-of-fact—and how he uses physical objects (bonnets, pancakes, overalls) to ground his satire. The book’s structure is episodic, so it can be read in any order, but the voice remains consistent throughout.

There’s a moment in Bill Nye’s Remarks where the humor turns gently inward, almost rueful about our own bright idiocies. It reminded me of sitting with an old friend who knows the joke’s on everyone, including us. That same quiet knowing lives in Fables and Fabulists: Ancient and Modern — Story, Setting & Ideas, a sturdier, older voice for the same wry ache of being human.

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