Essays in Zen Buddhism — Inside the Classic
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characterised the methods of a lukewarm master. He must have got this directness from his own teacher Obaku (Huang-nieh),[1.4] by whom he was struck three times by asking what the fundamental principle of Buddhism was. It goes without saying that Zen has nothing to do with mere striking or roughly shaking the questioner. If you take this as constituting the essentials of Zen, you would commit the same gross error as one who took the finger for the moon. As in everything else, but most particularly in Zen, all its outward manifestations or demonstrations must never be regarded as final. They just indicate the way where to look for the facts. Therefore these indicators are important, we cannot do well without them. But once caught in them which are like entangling meshes we are doomed; for Zen can never be comprehended. Some may think Zen is always trying to catch you in the net of logic or by the snare of words. If you once slip your steps, you are bound for eternal damnation, you will never get to freedom for which your hearts are so burning. Therefore, Rinzai grasps with his naked hands what is directly presented to us all. If a third eye of ours is opened undimmed, we shall know in a most unmistakable manner where Rinzai is driving us. We have first of all to get into the very spirit of the master and interview the inner man right there. No amount of wordy explanations will ever lead us into the nature of our own selves. The more you explain, the further it runs away from you. It is like trying to get hold of your own shadow. You run after it and it runs with you at the identical rate of speed. When you realise it, you read deep into the spirit of Rinzai or Obaku, and their real kind-heartedness will begin to be appreciated.
Ummon[f5][1.5] (Yün-mên), was another great master of Zen at the end of the T‘ang dynasty. He had to lose one of his legs in order to get an insight into the life-principle from which the whole universe takes rise, including his own humble existence. He had to visit his teacher Bokuju (Mu-chou)[1.6] who was a senior disciple of Rinzai under Obaku, three times before he was admitted to see him. The master asked, “Who are you?” “I am Bun-yen (Wên-yen),” answered the monk. (Bun-yen was his name, while Ummon was the name of the monastery where he was settled later). When the truth-seeking monk was allowed to go inside the gate, the master took hold of him by the chest and demanded, “Speak! Speak!” Ummon hesitated, whereupon the master pushed him out of the gate, saying, “Oh, you good-for-nothing fellow!”[f6][1.7] While the gate was hastily shut, one of Ummon’s legs was caught and broken. The intense pain resulting from this apparently awakened the poor fellow to the greatest fact of life. He was no more a solicitous, pity-begging monk, the realisation now gained paid more than enough for the loss of his leg. He was not however a solitary instance in this respect, there were many such in the history of Zen who were willing to sacrifice a part of the body for the truth. Says Confucius: “If a man understands the Tao in the morning, it is well with him even when he dies in the evening.” Some would feel indeed that truth is of more value than mere living, mere vegetative or animal living. But in the world, alas, there are so many living corpses wallowing in the mud of ignorance and sensuality.
This is where Zen is most difficult to understand. Why this sarcastic vituperation? Why this seeming heartlessness? What fault had Ummon to deserve the loss of his leg? He was a poor truth-seeking monk, earnestly anxious to get enlightenment from the master. Was it really necessary for the latter from his way of understanding Zen to shut him out three times, and when the gate was half opened to close it again so violently, so inhumanly? Was this the truth of Buddhism Ummon was so eager to get? But the outcome of all this singularly was what was desired by both of them. As to the master, he was satisfied to see the disciple attain an insight into the secrets of his being; and as regards the disciple he was most grateful for all that was done to him. Evidently, Zen is the most irrational, inconceivable thing in the world. And this is why I said before that Zen was not subject to logical analysis or to intellectual treatment. It must be directly and personally experienced by each of us in his inner spirit. Just as two stainless mirrors reflect each other, the fact and our own spirits must stand facing each other with no intervening agents. When this is done, we are able to seize upon the living, pulsating fact itself.
Freedom is an empty word until then. The first object was to escape the bondage in which all finite beings find themselves, but if we do not cut asunder the very chain of ignorance with which we are bound hands and feet, where shall we look for deliverance? And this chain of ignorance is wrought of nothing else but the intellect and sensuous infatuation, which cling tightly to every thought we may have, to every feeling we may entertain. They are hard to get rid of, they are like wet clothes as is aptly expressed by the Zen masters. “We are born free and equal.” Whatever this may mean socially or politically, Zen maintains that it is absolutely true in the spiritual domain, and that all the fetters and manacles we seem to be carrying about ourselves are put on later through ignorance of the true condition of existence. All the treatments, sometimes literary and sometimes physical, which are most liberally and kindheartedly given by the masters to inquiring souls, are intended to get them back to the original state of freedom. And this is never really realised until we once personally experience it through our own efforts, independent of any ideational representation. The ultimate standpoint of Zen, therefore, is that we have been led astray through ignorance to find a split in our own being, that there was from the very beginning no need for a struggle between the finite and the infinite, that the peace we are seeking so eagerly after has been there all the time. Sotoba (Su Tung-p‘o),[1.8] the noted Chinese poet and statesman, expresses the idea in the following verse:
“Misty rain on Mount Lu, And waves surging in Chê-chiang; When you have not yet been there, Many a regret surely you have; But once there and homeward you wend, And how matter-of-fact things look! Misty rain on Mount Lu, And waves surging in Chê-chiang.”[9]
This is what is also asserted by Seigen Ishin (Ch‘ing-yüan Wei-hsin), according to whom, “Before a man studies Zen, to him mountains are mountains and waters are waters; after he gets an insight into the truth of Zen through the instruction of a good master, mountains to him are not mountains and waters are not waters; but after this when he really attains to the abode of rest, mountains are once more mountains and waters are waters.”[1.10]
Bokuju (Mu-chou) who lived in the latter half of the ninth century, was once asked, “We have to dress and eat every day, and how can we escape from all that?” The master replied, “We dress, we eat.” “I do not understand you,” said the questioner. “If you don’t understand put your dress on and eat your food.”[1.11]
Zen always deals in concrete facts and does not indulge in generalisation. And I do not wish to add unnecessary legs to the painted snake, but if I try to waste my philosophical comments on Bokuju, I may say this. We are all finite, we cannot live out of time and space; inasmuch as we are earth-created, there is no way to grasp the infinite, how can we deliver ourselves from the limitations of existence? This is perhaps the idea put in the first question of the monk, to which the master replies: Salvation must be sought in the finite itself, there is nothing infinite apart from finite things; if you seek something transcendental, that will cut you off from this world of relativity, which is the same thing as the annihilation of yourself. You do not want salvation at the cost of your own existence. If so, drink and eat, and find your way of freedom in this drinking and eating. This was too much for the questioner, who, therefore, confessed himself as not understanding the meaning of the master. Therefore, the latter continued: Whether you understand or not, just the same go on living in the finite, with the finite; for you die if you stop eating and keeping yourself warm on account of your aspiration for the infinite. No matter how you struggle, Nirvana is to be sought in the midst of Samsara (birth-and-death). Whether an enlightened Zen master or an ignoramus of the first degree, neither can escape the so-called laws of nature. When the stomach is empty, both are hungry; when it snows, both have to put on an extra flannel. I do not however mean that they are both material existences, but they are what they are, regardless of their conditions of spiritual development. As the Buddhist scriptures have it, the darkness of the cave itself turns into enlightenment when a torch of spiritual insight burns. It is not that a thing called darkness is first taken out and another thing known by the name of enlightenment is carried in later, but that enlightenment and darkness are substantially one and the same thing from the very beginning, the change from the one to the other has taken place only inwardly or subjectively. Therefore, the finite is the infinite, and _vice versa_. These are not two separate things, though we are compelled to conceive them so, intellectually. This is the idea, logically interpreted, perhaps contained in Bokuju’s answer given to the monk. The mistake consists in our splitting into two what is really and absolutely one. Is not life one as we live it, which we cut to pieces by recklessly applying the murderous knife of intellectual surgery?
On being requested by the monks to deliver a sermon, Hyakujo Nehan (Pai-chang Nieh-p‘an)[1.12] told them to work on the farm, after which he would give them a talk on the great subject of Buddhism. They did as they were told, and came to the master for a sermon, when the latter, without saying a word, merely extended his open arms towards the monks. Perhaps there is after all nothing mysterious in Zen. Everything is open to your full view. If you eat your food and keep yourself cleanly dressed and work on the farm to raise your rice or vegetables, you are doing all that is required of you on this earth, and the infinite is realised in you. How realised? When Bokuju was asked what Zen was, he recited a Sanskrit phrase from a Sutra, “Mahāprajñāpāramitā!” (in Japanese, _Makahannyaharamii_!). The inquirer acknowledged his inability to understand the purport of the strange phrase, and the master put a comment on it, saying,
“My robe is all worn out after so many years’ usage. And parts of it in shreds loosely hanging have been blown away to the clouds.”[1.13]
Is the infinite after all such a poverty-stricken mendicant?
Whatever this is, there is one thing in this connection which we can never afford to lose sight of, that is, the peace or poverty (for peace is only possible in poverty) is obtained after a fierce battle fought with the entire strength of your personality. A contentment gleaned from idleness or from a _laissez-faire_ attitude of mind is a thing most to be abhorred. There is no Zen in this, but sloth and mere vegetation. The battle must rage in its full vigour and masculinity. Without it, whatever peace that obtains is a simulacrum, and it has no deep foundation, the first storm it may encounter will crush it to the ground. Zen is quite emphatic in this. Certainly, the moral virility to be found in Zen, apart from its mystic flight, comes from the fighting of the battle of life courageously and undauntedly.
From the ethical point of view, therefore, Zen may be considered a discipline aiming at the reconstruction of character. Our ordinary life only touches the fringe of personality, it does not cause a commotion in the deepest parts of the soul. Even when the religious consciousness is awakened, most of us lightly pass over it so as to leave no marks of a bitter fighting on the soul. We are thus made to live on the superficiality of things. We may be clever, bright, and all that, but what we produce lacks depth, sincerity, and does not appeal to the inmost feelings. Some are utterly unable to create anything except makeshifts or imitations betraying their shallowness of character and want of spiritual experience. While Zen is primarily religious, it also moulds our moral character. It may be better to say that a deep spiritual experience is bound to effect a change in the moral structure of one’s personality.
The truth of Zen is such that when we want to comprehend it penetratingly we have to go through with a great struggle, sometimes very long and exacting constant vigilance. To be disciplined in Zen is no easy task. A Zen master once remarked that the life of a monk can be attained only by a man of great moral strength, and that even a minister of the state cannot expect to become a successful monk. (Let us remark here that in China to be a minister of the state was considered to be the greatest achievement a man could ever hope for in this world.) Not that a monkish life requires the austere practice of asceticism, but that it implies the elevation of one’s spiritual powers to their highest notch. All the utterances or activities of the great Zen masters have come from this elevation. They are not intended to be enigmatic or driving us to confusion. They are the overflowing of a soul filled with deep experiences. Therefore, unless we are ourselves elevated to the same height as the masters, we cannot gain the same commanding views of life. Says Ruskin: “And be sure also, if the author is worth anything, that you will not get at his meaning all at once,—nay, that at his whole meaning you will not for a long time arrive in any wise. Not that he does not say what he means, and in strong words too; but he cannot say it all and what is more strange, will not, but in a hidden way and in parable, in order that he may be sure you want it. I cannot see quite the reason of this, nor analyse that cruel reticence in the breasts of wise men which makes them always hide their deeper thought. They do not give it you by way of help, but of reward, and will make themselves sure that you deserve it before they allow you to reach it.” And this key to the royal treasury of wisdom is given us only after patient and painful moral struggle.
The mind is ordinarily chock-full with all kinds of intellectual nonsense and passional rubbish. They are of course useful in their own ways in our daily life. There is no denying that. But it is chiefly because of these accumulations that we are made miserable and groan under the feeling of bondage. Each time we want to make a movement, they fetter us, they choke us, and cast a heavy veil over our spiritual horizon. We feel as if we are constantly living under restraint. We long for naturalness and freedom, yet we do not seem to attain them. The Zen masters know this, for they have gone through with the same experiences once. They want to have us get rid of all these wearisome burdens which we really do not have to carry in order to live a life of truth and enlightenment. Thus they utter a few words and demonstrate with action that, when rightly comprehended, will deliver us from the oppression and tyranny of these intellectual accumulations. But the comprehension does not come to us so easily. Being so long accustomed to the oppression, the mental inertia becomes hard to remove. In fact it has gone down deep into the roots of our own being, and the whole structure of personality is to be overturned. The process of reconstruction is stained with tears and blood. But the height the great masters have climbed cannot otherwise be reached; the truth of Zen can never be attained unless it is attacked with the full force of personality. The passage is strewn with thistles and brambles, and the climb is slippery in the extreme. It is no pastime but the most serious task in life, no idlers will ever dare attempt it. It is indeed a moral anvil on which your character is hammered and hammered. To the question, “What is Zen?” a master gave this answer, “Boiling oil over a blazing fire.”[1.14] This scorching experience we have to go through with before Zen smiles on us and says, “Here is your home.”
One of these utterances by the Zen masters that will stir a revolution in our minds is this: Hōkoji (P‘ang-yün), formerly a Confucian, asked Baso (Ma-tsu, –788), “What kind of man is he who does not keep company with any thing?” Replied the master, “I will tell you when you have swallowed up in one draught all the waters in the West River.”[1.15] What an irrelevant reply to the most serious question one can ever raise in the history of thought! It sounds almost sacrilegious when we know how many souls there are who go down under the weight of this question. But Baso’s earnestness leaves no room for doubt as is quite well known to all the students of Zen. In fact, the rise of Zen after the sixth patriarch, Hui-nêng, was due to the brilliant career of Baso under whom there arose more than eighty fully-qualified masters, and Hōkoji who was one of the foremost lay disciples of Zen, earned a well-deserved reputation as the Vimalakīrti of Chinese Buddhism. A talk between two such veteran Zen masters could not be an idle sport. However easy and even careless it may appear, there is hidden in it a most precious gem in the literature of Zen. We do not know how many students of Zen were made to sweat and cry in tears because of the inscrutability of this statement of Baso’s.
To give another instance: a monk asked the master Shin of Chōsa (Chang-sha Ching-ch‘ên), “Where has Nansen (Nan-ch‘üan) gone after his death?” Replied the master, “When Sekito (Shih-tou) was still in the order of young novitiates, he saw the sixth patriarch.” “I am not asking about the young novitiate. What I wish to know is, where is Nansen gone after his death?” “As to that,” said the master, “it makes one think.”[1.16]
Suzuki opens this first series of essays by asserting that Zen's essence lies not in doctrine but in a radical shift of perspective—what he calls satori. He describes this as a "mental cataclysm" that overturns ordinary dualistic thinking, using metaphors of storm and earthquake to convey its transformative force. The preface frames Zen as the "ultra 'self-power' wing" of Buddhism, contrasting it with Shin's "other-power" and situating both as complementary expressions of Buddha-consciousness.
Suzuki also addresses a scholarly gap: while Zen's "Goroku" (sayings) are its primary literary form, understanding them requires practical training beyond classical Chinese or Buddhist philosophy. He notes that Zen masters often lack interest in psychological or philosophical analysis, leaving Zen "sealed up" in cloisters. This tension between experiential insight and intellectual exposition runs throughout the essays.
Satori as the Central Fact
Suzuki insists that "there is no Zen without satori," calling it "the Alpha and Omega of Zen Buddhism." He distinguishes satori from mere philosophical understanding: it is an "intuitive looking into the nature of things" that unfolds a new world beyond dualistic confusion. The experience is compared to the Buddha's enlightenment under the Bodhi-tree, and Suzuki warns that some Zen students themselves overlook this core, mistaking logical or psychological explanations for Zen's living reality.
He emphasizes that satori cannot be reduced to concepts: "Zen may lose all its literature, all its monasteries, and all its paraphernalia; but as long as there is satori in it, it will survive to eternity." This claim positions satori as both the foundation and the enduring vitality of Zen, independent of institutional or textual forms.
Historical Transmission and Schools
Suzuki traces Zen's development from the sixth patriarch Hui-nêng, whose teachings at Ts‘ao-ch‘i remain a primary source. After Hui-nêng, Zen split into two surviving schools: the Soto (Ts‘ao-tung) lineage from Hsing-szŭ of Ch‘ing-yüan, and the Rinzai (Lin-chi) lineage from Huai-jang of Nan-yüeh. Though modified over time, Suzuki states that "the principle and spirit of Zen Buddhism is still alive as it was in the days of the sixth patriarch."
He notes that Zen's influence persists especially among cultured people in Japan, and that its literary form—the "Goroku" or recorded sayings—requires specialized training to interpret. The historical sketch is concise, focusing on lineage rather than exhaustive detail, and serves to ground the essays in a concrete tradition.
The Challenge of Scholarly Engagement
Suzuki identifies a persistent difficulty: scholars of Buddhism often fail to grasp Zen because they lack practical training, while Zen masters rarely engage with modern intellectual frameworks. He writes that "some of such scholars sometimes try to explain the truth and development of Zen, but they sadly fail to do justice to the subject." Conversely, masters remain content with kō-ans and do not show "lively intellectual interest in the psychology and philosophy of Zen."
This mutual limitation leaves Zen "incapacitated to walk out of the seclusion of the cloisters." Suzuki's own project is to bridge this gap—not by claiming to master Zen through description, but by making it "somewhat accessible by our ordinary means of reasoning." He cautions that Zen cannot be mastered from philosophical presentation alone, yet insists that intelligent approach is possible.
Suzuki's essays demand patience with paradox: satori is both indescribable and the subject of sustained analysis. Readers should expect dense references to Chinese masters and kō-ans, alongside repeated insistence that words are insufficient. The book rewards those who read for pattern rather than linear argument—noticing how Suzuki circles back to the tension between experience and explanation, and how historical anecdotes illustrate the very ineffability he describes.
Reading Suzuki’s essays on Zen, I kept circling back to that strange, quiet feeling of satori—not as an idea, but as a shift in how the ordinary breathes. It reminded me of an old pastoral critique, the way it, too, sought something beneath surface logic. I found myself rereading A Full Enquiry into the Nature of the Pastoral (1717) — Context and Discussion with that same sense of patient uncovering, like two different doors to the same still room.
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